Spatial Modernities
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Spatial Modernities
This collection of essays offers a series of reflections on the specific literary and cultural forms that can be seen as the product of modernity’s spatial transformations, which have taken on new urgency in today’s world of ever increasing mobility and global networks. The book offers a broad perspective on the narrative and poetic dimensions of the modern discourses and imaginaries that have shaped our current geographical sensibilities. In the early twenty-first century, we are still grappling with the spatial effects of ‘early’ and ‘high’ modern developments, and the contemporary crises revolving around political boundaries and geopolitical orders in many parts of the world have intensified spatial anxieties. They call for a sustained analysis of individual perceptions, cultural constructions and political implications of spatial processes, movements and relations. The contributors of this book focus both on the spatial orders of modernity and on the various dynamic processes that have shaped our engagement with modern space.
Mapping Modernities
When the communist governments of Eastern Europe and the Soviet Union collapsed between 1989 and 1991, there was a revived interest in a region that had been largely neglected by western geographers. Mapping Modernities draws on the resulting work and other original theoretical and empirical sources to describe, interpret and explain the place and spatial order of modernities in Central and Eastern Europe since 1920, to give a theoretically underpinned, regional geography of the area. The book interprets the geography of Central and Eastern Europe from 1920 to 2000 in terms of spatial modernity. It details the individual and collective development of places produced within the three modernising projects of Nationalism, Communism and Neo-liberalism.
Modernity, Metatheory, and the Temporal-Spatial Divide
This book is about how modernity affects our perceptions of time and space. Its main argument is that geographical space is used to control temporal progress by channeling it to benefit particular political, economic and social interests, or by halting it altogether. By incorporating the ancient Greek myth of the Titanomachy as a conceptual metaphor to explore the elemental ideas of time and space, the author argues that hegemonic interests have developed spatial hierarchy into a comprehensive system of technocratic monoculture, which interrupts temporal development in order to maintain exclusive power and authority. This spatial stasis is reinforced through the control of historical narratives and geographical settings. While increasingly comprehensive, the author argues that this state of affairs can best be challenged by focusing on the development of "unmappable places" which presently exist within the socio-spatial matrix of the modern world.