Spaces Of Surveillance
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Spaces of Security
An ethnographic investigation into the dynamics between space and security in countries around the world It is difficult to imagine two contexts as different as a soccer stadium and a panic room. Yet, they both demonstrate dynamics of the interplay between security and space. This book focuses on the infrastructures of security, considering locations as varied as public entertainment venues to border walls to blast-proof bedrooms. Around the world, experts, organizations, and governments are managing societies in the name of security, while scholars and commentators are writing about surveillance, state violence, and new technologies. Yet in spite of the growing emphasis on security, few truly consider the spatial dimensions of security, and particularly how the relationship between space and security varies across cultures. This volume explores spaces of security not only by attending to how security is produced by and in spaces, but also by emphasizing the ways in which it is constructed in the contemporary landscape. The book explores diverse contexts ranging from biometrics in India to counterterrorism in East Africa to border security in Argentina. The ethnographic studies demonstrate the power of a spatial lens to highlight aspects of security that otherwise remain hidden, while also adding clarity to an elusive and dangerous way of managing the world.
Spaces of Surveillance
In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies.
Surveillance, Architecture and Control
This edited collection examines the culture of surveillance as it is expressed in the built environment. Expanding on discussions from previous collections; Spaces of Surveillance: States and Selves (2017) and Surveillance, Race, Culture (2018), this book seeks to explore instances of surveillance within and around specific architectural entities, both historical and fictitious, buildings with specific social purposes and those existing in fiction, film, photography, performance and art. Providing new readings of, and expanding on Foucault’s work on the panopticon, these essays examine the role of surveillance via disparate fields of enquiry, such as the humanities, social sciences, technological studies, design and environmental disciplines. Surveillance, Architecture and Control seeks to engender new debates about the nature of the surveilled environment through detailed analyses of architectural structures and spaces; examining how cultural, geographical and built space buttress and produce power relations. The various essays address the ongoing fascination with contemporary notions of surveillance and control.