Sound Producing Instruments In Oceania


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Sound-producing Instruments in Oceania


Sound-producing Instruments in Oceania

Author: Hans Fischer

language: en

Publisher:

Release Date: 1986


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Polynesian Sound-producing Instruments


Polynesian Sound-producing Instruments

Author: Richard Moyle

language: en

Publisher: Bloomsbury Shire Publications

Release Date: 1990


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Despite its vastness, Polynesia, the last major region of the Pacific Ocean to be colonised, contains cultures and languages which are relatively homogenous. Two subgroups, Eastern and Western Polynesia, share not only social structure and beliefs about the supernatural world, but also, in some instances, types of instruments used for musical and signalling purposes. This book introduces the variety of Polynesian instruments, from the familiar slit drums and skin drums to the less common nose-flutes, uniquely constructed mouth flutes and disposable jew's harps. The range of instruments now obsolete is also examined. Whether they are used to accompany dancing, for signalling, to represent divine voices, for private communication or for entertainment, sound-producing instruments are an integral and dynamic part of Polynesian culture. About the author Richard Moyle has spent a total of four years engaged in ethnomusicological fieldwork in Polynesia and a further four years living with Aboriginal groups in central Australia studying music and ritual; this resulted in two books. He has taught ethnomusicology at the University of Hawaii and is currently lecturer in ethnomusicology at the University of Auckland

The SAGE International Encyclopedia of Music and Culture


The SAGE International Encyclopedia of Music and Culture

Author: Janet Sturman

language: en

Publisher: SAGE Publications

Release Date: 2019-02-26


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The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition