Sophie Carter Art
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The Invention of Sophie Carter
With all sorts of delightful Parent Trap-style identical twin hijinks, The Invention of Sophie Carter is the perfect light-and-sweet palate cleanser. 1851. Bounced from one home to another their whole lives, orphaned identical twins Sophie and Mariah Carter have always relied on each other for love and support, even though the sisters couldn't be more different. Brash Sophie wants to be an inventor, and demure Mariah wants to be an artist. Both long to visit London for the summer—Sophie to see the Queen’s Great Exhibition and Mariah to study the world’s finest collection of paintings. But when their cantankerous aunt answers their letter pleading for a place to stay, she insists she only has time and room to spare for one of them. So, Mariah and Sophie hatch a clever scheme: They will travel to London together and take turns playing the part of "Sophie". At first the plan runs like clockwork. But as the girls avoid getting caught by increasingly narrow margins and two handsome gentlemen—both of whom think they’re falling in love with the real Sophie Carter—enter the equation, the sisters find they don’t have the situation quite as under control as they thought.
Painting the Bible
Painting the Bible is the first book to investigate the transformations that religious painting underwent in mid-Victorian England. It charts the emergence of a Protestant realist painting in a period of increasing doubt, scientific discovery and biblical criticism. The book analyzes the position of religious painting in academic discourse and assesses the important role Pre-Raphaelite work played in redefining painting for mid-Victorian audiences. This original study brings together a wide range of material from high art and popular culture. It locates the controversy over the religious works of the Pre-Raphaelite Brotherhood in debates about academicism, revivalism and caricature. It also investigates William Holman Hunt's radical, orientalist-realist approach to biblical subject matter which offered an important updating of the image of Christ that chimed with the principles of liberal Protestantism. The book will appeal to scholars and students across disciplines such as art history, literature, history and cultural studies. Its original research, rigorous analysis and accessible style will make it essential reading for anyone interested in questions of representation and belief in mid-Victorian England.
History's Beauties
The 'beauties' - women of note - who were welcomed to the National Portrait Gallery's early collection were those whose lives and portraits were recognized as significant to the 'civil, ecclesiastical and literary history of the nation'. This brief was interpreted to include figures as diverse as the devout Lady Margaret Beaufort, and the entertaining Lady Emma Hamilton. History's Beauties, the first detailed study of this collection, maps a culture of femininity that reframes the Victorian fascination with women's domestic and sentimental presence by locating it within a Parliament-centred 'national' culture.