Songlines In Michaeltree

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Songlines in Michaeltree

A comprehensive collection combining the author's previously published works with new poems, highlighting themes of memory, music, and language and deeply rooted in the African American experience.
Richard Wright

African-American writer Richard Wright (1908-1960) was celebrated during the early 1940s for his searing autobiography (Black Boy) and fiction (Native Son). By 1947 he felt so unwelcome in his homeland that he exiled himself and his family in Paris. But his writings changed American culture forever, and today they are mainstays of literature and composition classes. He and his works are also the subjects of numerous critical essays and commentaries by contemporary writers. This volume presents a comprehensive annotated bibliography of those essays, books, and articles from 1983 through 2003. Arranged alphabetically by author within years are some 8,320 entries ranging from unpublished dissertations to book-length studies of African American literature and literary criticism. Also included as an appendix are addenda to the author's earlier bibliography covering the years from 1934 through 1982. This is the exhaustive reference for serious students of Richard Wright and his critics.
Understanding Michael S. Harper

Author: Michael Antonucci
language: en
Publisher: Univ of South Carolina Press
Release Date: 2023-04-06
A fresh examination of Harper's body of work as an archive of Black life, thought, and culture The first book devoted to the groundbreaking poet's work, Understanding Michael S. Harper locates Harper's poetic project within Black expressive tradition. The study examines poems drawn from the eleven volumes of verse that Harper (1938–2016) produced between 1970 and 2010, bringing attention to his poetry's sustained engagement with music, literature, and the visual arts. Author Michael Antonucci offers readers an account of the poet's career while assessing his verse and providing a sense of its perspective on Black America and the American experience. Throughout his examination of Harper's verse, Antonucci builds on the critical attention the poet received at the outset of his career—he was twice nominated for the National Book Award. Exploring the poet's celebrated examinations of history, kinship, and Black music, Understanding Michael S. Harper develops and expands critical dialogues about the poet and his body of work, which, Antonucci argues, presents a counternarrative about the composition and origins of the United States, reshaping prevailing discourse about race, nation, and identity.