Some Sort Of A Life

Some Sort of a Life

“I have never, ever wanted to write an autobiography. The number of times I have been approached and every time I said no, no, it’s a wank” Miriam Karlin is that rare creature: a pillar of the British acting establishment who is at the same time a thoroughgoing maverick. During sixty distinguished, workaholic years of acting, she has been a West End regular and RSC company actor, a pioneering performer on live television, half of a radio double-act with Peter Sellers, a stand-up comic, a scene-stealing character actor in such films as The Entertainer and A Clockwork Orange, and, of course, the truculent, whistle-blowing shop steward Paddy in the long-running TV sitcom The Rag Trade, with her catchphrase “Everybody Out!” Parallel to her career as an actor are her lifelong socialist beliefs, her unerring sense of justice and her political activism. Miriam’s life also has been a long battle against addiction; to alcohol, prescription drugs, gambling, cigarettes, and dieting (she recently revealed herself in the Observer as “the world’s oldest bulimic”) challenges she describes in Some Sort of a Life with great humour and irreverence. Dictated to Jan Sargent as Miriam was recovering from mouth cancer (an experience she describes in a chapter typically entitled ‘Sans teeth, sans f ckin’ everything’) she is compellingly candid about the people in her life: her family (part of which perished in the holocaust), her friends and the eminent figures she has worked with, such as Laurence Olivier, Peter Sellars, Stanley Kubrick, Tony Hancock and Barry Humphries. Above all though, she is utterly honest about herself: her love affairs and abortions, her battles with eating disorders and illness, her gradual disillusionment with the Labour Party and the state of Israel, and her own compulsive nature, which accounts for many of the highs and lows of her fascinating life. Some Sort of a Life is an autobiography refreshingly free of self-justification and recrimination, and full of the passion and earthy humour of one of our finest character actors.

Some Sort of Epic Grandeur

“Epic indeed, this is the definitive biography of Fitzgerald, plain and simple. There’s no reason to own another.” —Library Journal The Great Gatsby, The Beautiful and Damned, Tender Is the Night, “The Curious Case of Benjamin Button.” These works and more elevated F. Scott Fitzgerald to his place as one of the most important American authors of the twentieth century. After struggling to become a screenwriter in Hollywood, Fitzgerald was working on The Last Tycoon when he died of a heart attack in 1940. He was only forty-four years old. Fitzgerald left behind his own mythology. He was a prince charming, a drunken author, a spoiled genius, the personification of the Jazz Age, and a sacrificial victim of the Depression. Here, Matthew J. Bruccoli strips away the façade of this flawed literary hero. He focuses on Fitzgerald as a writer by tracing the development of his major works and his professional career. Beginning with his Midwest upbringing and first published works as a teenager, this biography follows Fitzgerald’s life through the successful debut of This Side of Paradise, his turbulent marriage to Zelda Sayre, his time in Europe among The Lost Generation, the disappointing release of The Great Gatsby, and his ignominious fall. As former US poet laureate James Dickey said, “the spirit of the man is in the facts, and these, as gathered and marshalled by Bruccoli over thirty years, are all we will ever need. But more important, they are what we need.”

The Works of Joseph Butler ... To which is Prefixed, a Life of the Author