Soly Latest

Away From Beloved Lover

In the swinging 1960s, after nearly a century of colonisation, Cambodia had gained its independence and was ready to rock. Young musicians from the countryside flocked to the vibrant cosmopolitan capital city of Phnom Penh. Teenagers cycled along the Mekong River, guitars slung across their backs, on their way to rehearse Khmer covers of The Beatles or Pink Floyd. The city was a melting pot of sound: old fashioned rock'n'roll, early heavy metal, crooners and swooners and love duets. The music stopped on 17th April 1975: the Khmer Rouge army captured Phnom Penh, ending the civil war and beginning the genocide. Around 90% of the musicians died in the killing fields. But a few fled, to the US or France, taking what remained of their music with them. In Away From Beloved Lover, Dee Peyok travels across Cambodia, piecing together the story of the country and its golden era of music. She interviews surviving superstars and their relatives in places as disparate as a traditional house on stilts by a rice paddy, an artist's studio deep in the ancient forests, and a caf in the new, divided Phnom Penh. Away From Beloved Lover is a musical travelogue that tells the story of Cambodia, past and present, in a thrilling new way. It is an immersive exploration of a country set to a soundtrack too long silenced, and finally able to play.

Four New Plays: Viz. The History of Henry the Fifth, Mustapha, The Black Prince, and Tryphon

Collie

You did this; you killed my brother, you and your fancy tart downstairs, you and your Hollywood ideas. You killed him, as sure as if you had taken a gun and shot him through the heart, now you can join him you bastard! She pulled one of the large kitchen knives from behind her back and raised it above her head then lunged at Lenny. I moved quickly and tried to grab her arm but she had the strength of a man, so much strength that she tossed me aside like a rag doll. I remember her eyes vividly, staring, empty, as though nothing else mattered but driving the knife into Lenny, as though there was nobody else in the room. I tackled her from behind and by this time Stan had managed to get a grip on her arm and all three of us fell onto the bed. I was pleased to read Collie this is both a substantial novel and an extremely good one, with a story whose credibility rests on the authors literary style, which is assured, controlled and atmospheric. It is a touching and compelling work, balanced between detailed description and a paced narrative of events. The story is built gradually and with a great deal of patience on behalf of the writer, who takes pains to increase the tension and atmosphere whilst drawing his characters with accurate and well observed characterisation. He weaves their relationships with unpretentious charm, marking the text with genuine warmth. The dialogue is believable and well written, the setting evoked clearly but with subtlety this is a novel with an individual and original style, one which will appeal to readers of quality fi ction. Helen Pascall-Barton.