Sketches Of Thought
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Sketches of Thought
Much of the cognitive lies beyond articulate, discursive thought, beyond the reach of current computational notions. In Sketches of Thought, Vinod Goel argues that the cognitive computational conception of the world requires our thought processes to be precise, rigid, discrete, and unambiguous; yet there are dense, ambiguous, and amorphous symbol systems, like sketching, painting, and poetry, found in the arts and much of everyday discourse that have an important, non-trivial place in cognition. Goel maintains that while on occasion our thoughts do conform to the current computational theory of mind, they often are - indeed must be - vague, fluid, ambiguous, and amorphous. He argues that if cognitive science takes the classical computational story seriously, it must deny or ignore these processes, or at least relegate them to the realm of the nonmental. Along the way, Goel makes a number of significant and controversial interim points. He shows that there is a principled distinction between design and nondesign problems, that there are standard stages in the solution of design problems, that these stages correlate with the use of different types of external symbol systems, that these symbol systems are usefully individuated in Nelson Goodman's syntactic and semantic terms, and that different cognitive processes are facilitated by different types of symbol systems.
The Art of Thought
First published in 1926, Graham Wallas's The Art of Thought is a pioneering exploration of the creative process. Blending psychology, philosophy, and personal insight, Wallas proposes a now-classic four-stage model of creativity: preparation, incubation, illumination, and verification. This influential work laid the groundwork for modern theories of innovation and problem-solving, inspiring generations of thinkers across disciplines. A timeless guide to understanding how ideas emerge, evolve, and take shape, Wallas's book remains essential reading for anyone interested in the nature of creativity. The Art of Thought 1926, was the first work to give a clear, inspiring. and authoritative exposition of the process of reasoning, in language adapted to the general reader as well as the student of psychology. It established itself as a standard guide to the mechanism of thought, and its message remains of essential value to a world confronted with problems of increasing complexity.
Sketches of Thought
Much of the cognitive lies beyond articulate, discursive thought, beyond the reach of current computational notions. In Sketches of Thought, Vinod Goel argues that the cognitive computational conception of the world requires our thought processes to be precise, rigid, discrete, and unambiguous; yet there are dense, ambiguous, and amorphous symbol systems, like sketching, painting, and poetry, found in the arts and much of everyday discourse that have an important, non-trivial place in cognition. Goel maintains that while on occasion our thoughts do conform to the current computational theory of mind, they often are - indeed must be - vague, fluid, ambiguous, and amorphous. He argues that if cognitive science takes the classical computational story seriously, it must deny or ignore these processes, or at least relegate them to the realm of the nonmental. Along the way, Goel makes a number of significant and controversial interim points. He shows that there is a principled distinction between design and nondesign problems, that there are standard stages in the solution of design problems, that these stages correlate with the use of different types of external symbol systems, that these symbol systems are usefully individuated in Nelson Goodman's syntactic and semantic terms, and that different cognitive processes are facilitated by different types of symbol systems.