Sisters Antipodes
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The Sisters Antipodes
"A wrenching, luminous memoir" of how betrayal and divorce transformed two families and the lives of two young women ( People ). When Jane Alison was a child, her family met another that seemed like its mirror. Each had a father in the Foreign Service, a beautiful mother, and two little girls. The younger two—one of them Jane—even shared a birthday. With so much in common, the two families quickly became inseparable. Within months, affairs had ignited between the adults, and before long the pairs had exchanged partners—divorced, remarried, and moved on. As if in a cataclysm of nature, two families were ripped asunder, and two new ones were formed. Two pairs of girls were left in shock, a "silent, numb shock, like a crack inside stone, not enough to split it but inside, quietly fissuring." And Jane and her stepsister were thrown into a state of wordless combat for the love of their fathers. This true story of their rivalry, and the tragic loss that ultimately followed, is a fascinating record of how adult behavior can shape, or shatter, a childhood. Spanning from Australia to the United States, it is "enormously compelling . . . [A] harrowing journey of identity" ( Publishers Weekly, starred review).
Handbook of Autobiography / Autofiction
Author: Martina Wagner-Egelhaaf
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2019-01-29
Autobiographical writings have been a major cultural genre from antiquity to the present time. General questions of the literary as, e.g., the relation between literature and reality, truth and fiction, the dependency of author, narrator, and figure, or issues of individual and cultural styles etc., can be studied preeminently in the autobiographical genre. Yet, the tradition of life-writing has, in the course of literary history, developed manifold types and forms. Especially in the globalized age, where the media and other technological / cultural factors contribute to a rapid transformation of lifestyles, autobiographical writing has maintained, even enhanced, its popularity and importance. By conceiving autobiography in a wide sense that includes memoirs, diaries, self-portraits and autofiction as well as media transformations of the genre, this three-volume handbook offers a comprehensive survey of theoretical approaches, systematic aspects, and historical developments in an international and interdisciplinary perspective. While autobiography is usually considered to be a European tradition, special emphasis is placed on the modes of self-representation in non-Western cultures and on inter- and transcultural perspectives of the genre. The individual contributions are closely interconnected by a system of cross-references. The handbook addresses scholars of cultural and literary studies, students as well as non-academic readers.
On Replacement
This book is an interdisciplinary study of the human drama of replacement. Is one’s irreplaceability dependent on surrounding oneself by a replication of others? Is love intrinsically repetitious or built on a fantasy of uniqueness? The sense that a person’s value is blotted out if someone takes their place can be seen in the serial monogamy of our age and in the lives of ‘replacement children’ – children born into a family that has recently lost a child, whom they may even be named after. The book investigates various forms of replacement, including AI and doubling, incest and bedtricks, imposters and revenants, human rights and ‘surrogacy’, and intertextuality and adaptation. The authors highlight the emotions of betrayal, jealousy and desire both within and across generations. On Replacement consists of 24 essays divided into seven sections: What is replacement?, Law & society, Wayward women, Lost children, Replacement films, The Holocaust and Psychoanalysis. The book will appeal to anyone engaged in reading cultural and social representations of replacement.