Sir Vidia S Shadow

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Sir Vidia's Shadow

Author: Paul Theroux
language: en
Publisher: Houghton Mifflin Harcourt
Release Date: 2014-02-11
The acclaimed writer shares an intimate portrait of his former mentor V.S. Naipaul in this memoir of their thirty-year friendship and sudden falling out. Paul Theroux was a young aspiring writer when he met the legendary V.S. Naipaul in Uganda in 1966. There began a friendship that would span continents as both men ascended the ranks of literary stardom. Naipaul’s early encouragement of Theroux’s talent had a profound impact on him—yet the apprenticeship was not always easy. This heartfelt and revealing account of Theroux's thirty-year friendship with Naipaul explores the unique effect each writer had on the other. Built around exotic landscapes, anecdotes that are revealing, humorous, and melancholy, and three decades of mutual history, this is a personal account of how one develops as a writer and how a friendship waxes and wanes between two men who have set themselves on the perilous journey of a writing life. A New York Times Notable Book
Half a Life

NATIONAL BESTSELLER • In a narrative that moves with dreamlike swiftness from India to England to Africa, the Nobel Prize-winning author produced his finest novel, a bleakly resonant study of the fraudulent bargains that make up an identity. "A masterpiece." —Los Angeles Times Book Review The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portugese colony in East Africa, where he finds a happiness he will then be compelled to betray. Brilliantly orchestrated, at once elegiac and devastating in its portraits of colonial grandeur and pretension, Half a Life represents the pinnacle of Naipaul's career.
Crabtracks

The essays in this collection celebrate the signal achievement of Dieter Riemenschneider in helping found and consolidate the study of postcolonial anglophone literatures in Germany and Europe. As well as poems, a short story, drawings of the Indian scene (the first, and abiding, focus of this scholar’s work), and ‘letters’ of reminiscence (one quite grave), there are revealing contributions of a literary-historical nature on the establishment of anglophone (especially African) literatures as an academic discipline within Germany, the UK, and Northern Europe generally, as well as a group of searching reflections on such topics of postcolonial import as globalization and the applicability of models to the literature of the indigene in Canada and Australia. The largest section is devoted to individual topics, each treatment implicitly keyed to approaches to the teaching of New Literatures texts. Writers covered include Anita Desai (landscape and memory), Salman Rushdie (painting in The Moor’s Last Sigh), Charlotte Brontë (imperial discourse in Jane Eyre), Derek Walcott (Omeros and cultural cohabitation), and Witi Ihimaera (his rewriting of Katherine Mansfield). Topics dealt with include music and radio in West Africa, the African literary ‘hit parade’, the New Zealand prose poem, Canadian and Australian war fiction, the Middle Passage in the American and Caribbean novel, Paul Theroux’s uneasy relations with V.S. Naipaul, and the colonial discourse of illness and recuperation. The volume closes with Dieter Riemenschneider’s very first and most recent critical essays, the one a classic on Mulk Raj Anand, the other a challenging and doubtless controversial thesis on postcolonial minority writing. A select bibliography of Riemenschneider’s work (books, edited publications, journal articles and book contributions, reviews and broadcasts) rounds off this substantial collection.