Simulacrum Within Pynchon S The Crying Of Lot 49
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Simulacrum within Pynchon’s "The Crying of Lot 49"
Literature Review from the year 2012 in the subject Didactics for the subject English - Literature, Works, grade: A-, University of Pittsburgh, language: English, abstract: The paper is a basic literature paper on the theme of Simulacrum withing the book The Crying of Lot 49. Simulacrum is the inferior reproduction of another object, such as Muzaq trying to represent classical music. Throughout this book, the main character finds herself in many situations where simulacrum occurs, such as the Beatle's rip-off band within the book.
A Companion to The Crying of Lot 49
Author: J. Kerry Grant
language: en
Publisher: University of Georgia Press
Release Date: 2008
Contains more than 500 notes keyed to the "2006 Harper Perennial Modern Classics", the "1986 Harper Perennial Library", and the 1967 Bantam editions. This edition adds quotations and paraphrases drawn from criticism published since 1994. It includes more than fifty annotations that have been added and eighty annotations that have been expanded.
Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi
Irritable Bodies and Postmodern Subjects in Pynchon, Puig, Volponi examines the recurrence of violent body figuration in the fiction of Pynchon, Puig, and Volponi, and also in the fiction of several other postmodern authors who published their literature during the last quarter of the twentieth century. Different as they may be, these authors engage in analogous representative strategies, as their prose is frequently and similarly disrupted by obscene images of wounded, torn, or deformed bodies. In their mix of irony and morbidity, in the hyper-reality of their depiction, in the unwarranted, apparently random nature of their occurrence, these shocking outbreaks exemplify an uncompromisingly «irritable» style which is one fundamental element of postmodernist representation. The author argues how through their fascination with obscene material, these writers address burning issues about the significance of the corporeal in a seemingly discourse-defined universe. This book is a great resource for literary graduate students who are interested in a comparative approach to contemporary literature.