Showboat Musical
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Darkology
Author: Rhae Lynn Barnes
language: en
Publisher: Liveright Publishing
Release Date: 2026-03-24
As Heard on NPR's Fresh Air: "Quite enlightening." —Terry Gross Named one of the Best Books of the Month by the New York Times, TIME, and Kirkus Reviews A groundbreaking history, decades in the making, that chronicles how blackface dominated American society culturally, financially, and racially for nearly two centuries. Never before has the disturbing story of blackface and its piercing reflection of American society been so comprehensively told. With Darkology, Princeton historian Rhae Lynn Barnes meticulously unravels the complex, subterranean, and all-too-often expunged history of “Darkology”—the insidious study, commodification, and dehumanization of Black life, through which performers caricatured the enslaved and formerly enslaved for their supposed subservience and happy demeanor. Given the extraordinary research reflected in Darkology, it’s not surprising that Barnes spent twenty years tracking down “fading photographs, old movies, bureaucratic detritus, moldy scripts, and living witnesses, assembling an impressive archive that allowed her to demonstrate the astonishingly broad reach of blackface minstrelsy” (Laurel Thatcher Ulrich). Painstakingly piecing together these scattered shards of evidence, Barnes reveals the shocking extent to which blackface took center stage in every era of American history. This was not a fringe activity. By 1830, as political resistance to slavery grew, blackface exploded from a niche performance into a venomous national export. Within a decade, hardly a theater in the country didn’t put on minstrel shows. Following the Civil War, this grotesque entertainment soared, seeping from professional theaters into everyday amateur shows, print, and advertisements. It was everywhere: Elks Clubs, religious institutions, battlefields, universities, and schools. It wasn’t just in the Jim Crow era; it defined it. The very name “Jim Crow” derives from minstrelsy’s founding character. Darkology dismantles the myth that blackface was a fleeting, post–Civil War phenomenon. Even in eras known for liberal progressivism, it flourished. Barnes unearths the startling fact that four-term president Franklin D. Roosevelt was a devotee who died hours before a blackface show he had commissioned at Warm Springs. It permeated U.S. military bases and was even used in World War II Japanese American concentration camps and German POW camps as a bizarre tool of “Americanization.” After WWII, the tide began to turn as Black veterans and mothers in places like suburban California protested the practice in schools. Still, blackface performances proved resilient, surfacing as late as 1969 at the University of Vermont. Even as the Civil Rights movement fought for equality, blackface remained present in American politics and white supremacist organizing through the Nixon and Ford administrations, its legacy still percolating in variable forms today. By tracing minstrelsy’s evolution through oral histories, material culture, and a wide range of multimedia sources, Barnes’s “masterpiece” (David Blight) forces us to reckon with the myriad ways the American Dream wore blackface. Recasting this American story with “vivid and engaging storytelling” (Howard French), Darkology is a landmark work that peers beneath the boulders deliberately obscuring our past—illuminating a path toward a more just and equal society in America’s future.
The Splendid Drunken Twenties
Author: Carl Van Vechten
language: en
Publisher: University of Illinois Press
Release Date: 2003
This generous, representative sampling from the daybooks of Carl Van Vechten, one of the most significant figures of the Harlem Renaissance, is a rich resource and major reference tool for reconstructing the culture of 1920s New York, the social milieu during Prohibition, and more. Bruce Kellner has provided copious, informative notes identifying central figures and clarifying details.Between 1922 and 1930, Van Vechten kept a daily record of his activities. Not exactly diaries, but more than appointment books, the daybooks record his daily comings and goings as well as the alliances, drinking habits, feuds, and affairs of a wide number of luminaries of the period. They catalog tales of bootlegging, literary teas, shifting cliques of artists and writers, cabaret slumming, sexual and social peccadilloes, and a seemingly endless sequence of parties.
Lessons in Creativity from Musical Theatre Characters
Lessons in Creativity from Musical Theatre Characters marries art and science with a new and exciting collaboration between one of the world’s leading creativity scholars and an internationally renowned musical theatre composer. This book will help readers tap into their creativity and unleash their own creative potential as they start their careers. Blending cutting-edge research, juicy anecdotes, lived experience, hands-on activities, and gentle advice, authors James C. Kaufman and Dana P. Rowe take readers on a journey to explore and enhance their own creativity. Each chapter addresses a key aspect of creativity, from how to overcome blocks to understanding one’s personal strengths all through the lens of Musical Theatre characters along with insights from those within the industry. Kaufman and Rowe shatter creativity myths (such as the tormented artist or having one big break) that may be harming the reader’s potential growth. Probing questions, fun quizzes, and engaging exercises will help the reader reflect on the material and develop strategies for their next step. All throughout, the readers can learn from the tales of Sweeney Todd, Maria Von Trapp, Alexander Hamilton, Christine Daaé, and countless others to inspire their own creativity. This book is ideal for aspiring theatre professionals, students of performing arts, and theatre and creativity scholars.