Shorts
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Quantum Shorts 2
This second volume of Quantum Shorts blends quantum physics with more storytelling. Inspired by the quantum world, 38 writers have crafted 38 imaginative stories. In one, two lovers’ relationship hangs in the balance as a quantum computer calculates, in another, a quantum computer chats with its classical counterpart. There are tales of a demon-haunted world, a grumpy Observer handling the fate of a universe, a musician looking for his hit single, and many more. Prepare to be in a superposition of inspired entanglement, to be disturbed and amused by this quantum flash fiction.
The Epigram Books Collection of Best New Singaporean Short Stories
The best short fiction published by Singaporean writers in 2017 and 2018. The Epigram Books Collection of Best New Singaporean Short Stories: Volume Four gathers the finest Singaporean stories published in 2017 and 2018, selected by guest editor Pooja Nansi from hundreds published in journals, magazines, anthologies and single-author collections. Accompanying the stories are the editor’s preface and an extensive list of honourable mentions for further reading. Reader Reviews "The stories range from intimate family portraits to speculative science fiction, but every piece speaks to universal experiences of love, loss, desire, and disappointment ... If you've either never read Singaporean literature, this would be a good place to start. If Crazy Rich Asians was the last thing you read by a local author, even better." — Wonderwall.sg
The Animation Studies Reader
Author: Nichola Dobson
language: en
Publisher: Bloomsbury Publishing USA
Release Date: 2018-10-18
The Animation Studies Reader brings together both key writings within animation studies and new material in emerging areas of the field. The collection provides readers with seminal texts that ground animation studies within the contexts of theory and aesthetics, form and genre, and issues of representation. The first section collates key readings on animation theory, on how we might conceptualise animation, and on some of the fundamental qualities of animation. New material is also introduced in this section specifically addressing questions raised by the nature, style and materiality of animation. The second section outlines some of the main forms that animation takes, which includes discussions of genre. Although this section cannot be exhaustive, the material chosen is particularly useful as it provides samples of analysis that can illuminate some of the issues the first section of the book raises. The third section focuses on issues of representation and how the medium of animation might have an impact on how bodies, gender, sexuality, race and ethnicity are represented. These representations can only be read through an understanding of the questions that the first two sections of the book raise; we can only decode these representations if we take into account form and genre, and theoretical conceptualisations such as visual pleasure, spectacle, the uncanny, realism etc.