Shakespeare Re Dressed
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Shakespeare Re-dressed
Author: James C. Bulman
language: en
Publisher: Associated University Presse
Release Date: 2008
"This collection covers a wide range of Shakespeare productions, from Granville Barker and Poel's experiments with cross-gender casting to recent performances by Cheek by Jowl, the National Theatre, and the new Globe; from early twentieth-century performances by women's companies in England and Japan to contemporary stagings by the Los Angeles Women's Shakespeare Company; from Mabou Mines' controversial Lear in New York to a more subtly transgressive Tempest by the Georgia Shakespeare Festival." "These essays are comprehensive in their consideration of cross-gender-cast Shakespeare as it evolved over the past century. Theoretically informed yet grounded in the particularity of individual performances, they forge new connections between performance studies and gender theory and broach issues vital to anyone interested in Shakespeare."--BOOK JACKET.
The Emperor Redressed
Author: Dwight Eddins
language: en
Publisher: University of Alabama Press
Release Date: 2014-07-14
The essays in this volume represent a collective questioning of the poststructuralist ascendancy, and of the assumptions involved therein, by a group of prominent scholars and critics: M. H. Abrams, Nina Baym, Frederick Crews, Ihab Hassan, David Lehman, Richard Levin, Paisley Livingston, Saul Morson, and John Searle. Assembled at The University of Alabama for the 1992 symposium from which this book takes its title, these scholars were charged with the task of examining the truth-value, methodology, practice, and humanistic status of poststructuralist theories and with speculating on what their conclusions portend for the future of theory. Some of the deficiencies "uncovered" in the emperor's apparel include the failure of poststructuralist theory to answer to the complexities of literary experience, its tendency to be self-ratifying, its betrayal of the feminist achievement, its conflation of style and logic, its attempt to impose apocalyptic finalities on history's open-endedness, and its ignorance of much in current language philosophy. The writings of Jacques Derrida, in particular, come in for skeptical scrutiny by Abrams, Livingston, and Searle. The book concludes with a lively panel discussion in which the audience joins the fray.
Re-Dressing the Canon
Re-Dressing the Canon examines the relationship between gender and performance in a series of essays which combine the critique of specific live performances with an astute theoretical analysis. Alisa Solomon discusses both canonical texts and contemporary productions in a lively jargon-free style. Among the dramatic texts considered are those of Aristophanes, Ibsen, Yiddish theatre, Mabou Mines, Deborah Warner, Shakespeare, Brecht, Split Britches, Ridiculous Theatre, and Tony Kushner. Bringing to bear theories of 'gender performativity' upon theatrical events, the author explores: * the 'double disguise' of cross-dressed boy-actresses * how gender relates to genre (particularly in Ibsens' realism) * how canonical theatre represented gender in ways which maintain traditional images of masculinity and femininity.