Sex And Death
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Sex and Death
Author: Kim Sterelny
language: en
Publisher: University of Chicago Press
Release Date: 2012-04-02
Is the history of life a series of accidents or a drama scripted by selfish genes? Is there an "essential" human nature, determined at birth or in a distant evolutionary past? What should we conserve—species, ecosystems, or something else? Informed answers to questions like these, critical to our understanding of ourselves and the world around us, require both a knowledge of biology and a philosophical framework within which to make sense of its findings. In this accessible introduction to philosophy of biology, Kim Sterelny and Paul E. Griffiths present both the science and the philosophical context necessary for a critical understanding of the most exciting debates shaping biology today. The authors, both of whom have published extensively in this field, describe the range of competing views—including their own—on these fascinating topics. With its clear explanations of both biological and philosophical concepts, Sex and Death will appeal not only to undergraduates, but also to the many general readers eager to think critically about the science of life.
Sex and Death
For centuries people have debated the nature of the human self. Running beneath these various arguments lie three certainties - we are born, reproduce sexually, and die. The models of spirituality which dominate the Western tradition have claimed that it is possible to transcend these aspects of human physicality by ascribing to human beings alternative traits, such as consciousness, mind and reason. By locating the essence of human life outside its basic physical features, mortality itself has come to be viewed as a problem, for it appears to render human life both meaningless and absurd. Complex connections have then been made between the key features of life: sex is linked with death, and birth becomes the event that introduces the child to the world of decay - and ultimately to death itself. This fascinating book exposes the way in which the preoccupation with transcendence in both religious and secular thinking has distorted our sense of what it is to be human. At the same time, Sex and Death offers an alternative approach to the debate, based on an acceptance of mortality that emphasizes the depth and profundity possible in human life. It is an argument which will be essential reading for students of philosophy or religion, as well as the general reader interested in these debates.
Sex and Death in Eighteenth-Century Literature
This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century’s shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.