Seven Lectures On Wang Guowei S Renjian Cihua
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Seven Lectures on Wang Guowei’s Renjian Cihua
Renjian cihua is a masterpiece of literary criticism written by Wang Guowei (1877–1927), a scholar of the Chinese classics who lived during the late Qing and early Republican periods. Since its publication in 1908 and 1909, it has been one of the most influential academic works in China. Elegantly written, Wang’s set of "remarks on ci poetry" (cihua) retains a traditional Chinese impressionistic critical approach, and can present difficulties to the common reader. This set of lectures by Florence Chia-ying Yeh explains the text to readers, making accessible Wang’s famous theory of jingjie ("aesthetic realm" or "artistic conception"), his views on how the ci differs from the shi genre of Chinese poetry, and his critical judgments of various famous ci poets from the Tang, Five Dynasties, and Song periods. The lectures are presented here in an English translation by Maija Bell Samei.
A Thematic Exploration of Twentieth-Century Western Literature
The twentieth century witnessed dramatic changes in terms of the structure of society, economics, politics, science, and technology, driving a change in Western literature from traditional to modern: old value systems were shattered; writing approaches and aesthetics changed; writers began to explore the psychological world and expand the discussion of humankind and modern civilization. This title takes classic literature by European and American authors of the twentieth century as research objects in order to comprehensively explore their thoughts, values, aesthetics, and narratives. Six major themes are used as units for analysis—existential meaning, self-identity, war and human nature, growing confusion, love and marriage, and anti-utopia. The authors argue that the six themes extend the themes of traditional literature and epitomize the unique characteristics of twentieth-century Western literature. The book will be of interest to students and scholars of literature, especially Western literature and twentieth-century literature.
A Comprehensive Study of Tang Poetry
Tang poetry is one of the most valuable cultural inheritances of Chinese history. Its distinctive aesthetics, delicate language and diverse styles constitute great literature in itself, as well as a rich topic for literary study. This two-volume set is the masterpiece of Professor Lin Geng, one of China’s most respected literary historians, and reflects decades of active research into Tang poetry, covering the “Golden Age” of Chinese poetry (618–907 CE). In the first volume, the author provides a general understanding of poetry in the “High Tang” era from a range of perspectives. Starting with an indepth discussion of the Romantic tradition and historical context, the author focuses on poetic language patterns, Youth Spirit, maturity symbols, and prototypes of poetry. The author demonstrates that the most valuable part of Tang poetry is how it can provide people with a new perspective on every aspect of life. The second volume focuses on the prominent Tang poets and poems. Beginning with an introduction to the “four greatest poets”—Li Bai, Du Fu, Wang Wei, and Bai Juyi—the author discusses their subjects, language, influence, and key works. The volume also includes essays on a dozen masterpieces of Tang poetry, categorized by topics such as love and friendship, aspirationsand seclusion, as well as travelling and nostalgia. As the author stresses, Tang poetry is worth rereading because it makes us invigorate our mental wellbeing, leaving it powerful and full of vitality. This set will appeal to researchers and students of Chinese literature, especially of classical Chinese poetry. People interested in Chinese culture will also benefit from the book.