Semoga Bahagia
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Semoga Bahagia
In 2015, Andryani Abu Bakar wins the first Jiwa Merlion Award for her contribution to Singapore - the musical Semoga Bahagia, a musical dedicated to Zubir Said and all Singaporeans past, present and future. Fifty years later in 2065, when Singapore celebrates her 100th birthday, Andryani's grandson Zubir Azhar wins the award for his contributions to Project Bugis, the underground city the size of Singapore and Seletar Besar, the underground reservoir below Bugis. This story follows one family through four generations, from 1960, five years before Singapore became independent, till 2065 when Singapore is 100 years old. The title Semoga Bahagia is taken from the title of the song composed by Singaporean musician Zubir Said (1907-1987). It is the Malay phrase meaning 'May You Find Happiness'.
Antologi Seram - Permainan Maut
Author: Helmi Effendy, Aida Adia, Ebriza Aminnudin, Syasya Bellyna
language: en
Publisher: Buku Prima
Release Date:
Reunion yang diadakan di sebuah rumah agam yang dibina di sebuah kawasan pedalaman di tengah-tengah hutan menjadi saksi tragedi berdarah, Seorang demi seorang perserta alumni tersebut ditemui mati dalam keadaan yang mengerikan. Apa sebenarnya yang berlaku? Siapakah dalang di sebalik tragedi itu? Kau janji yang kau takkan cerita pasal aku?” – PERMAINAN MAUT Demi memenuhi tuntutan nafsu dan mengejar kekayaan dunia, perjanjian dengan ‘nenek’ dimeteri dan nyawa keturunan menjadi galang gantinya. Waris keturunan diganggu kerana melanggar perjanjian. Selama manakah waris-waris yang tinggal hidup dengan tenang? Perlukah perjanjian silam diteruskan hanya untuk meraih kebahagiaan dunia? “Kau perlu pilih satu sahaja antara banyak pilihan.”– NENEK, TOLONG KELUAR!
Zubir Said
Author: Rohana Zubir
language: en
Publisher: Institute of Southeast Asian Studies
Release Date: 2012
Zubir Said is best known as the composer of Majulah Singapura, the national anthem of Singapore; Semoga Bahagia, the Singapore school anthem; and Melayu Raya. Born into a humble and religious family in Sumatra where music was considered haram, at 21 he set out to seek his fortune in Singapore, attracted initially by the glittering lights and the availability of butter and kopi susu, but soon by the opportunities it offered him to pursue his dreams. Armed with his first musical instrument, a bamboo flute he had carved himself, and a basic knowledge of music number notations, Zubir taught himsel.