Selected Poems Of Langston Hughes
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Selected Poems of Langston Hughes
For over 40 years, until his death in 1967, Langston Hughes captured in his poetry the lives of black people in the USA. Selected Poems is made up of Hughes' own choice of his poetry, published first in 1959. It includes all of Hughes' best known poems including 'The Negro Speaks of Rivers', 'The Weary Blues', 'Song for Billie Holiday', 'Black Maria', 'Magnolia Flowers', 'Lunch in a Jim Crow Car' and 'Montage of a Dream Deferred'. With the advantage of hindsight, it is now easy to see that - for his poems, his jazz lyrics, and his prose - Langston Hughes was one of the great artists of the 20th century.
The Collected Poems of Langston Hughes
The definitive sampling of a writer whose poems were “at the forefront of the Harlem Renaissance and of modernism itself, and today are fundamentals of American culture” (OPRAH Magazine). Here, for the first time, are all the poems that Langston Hughes published during his lifetime, arranged in the general order in which he wrote them. Lyrical and pungent, passionate and polemical, the result is a treasure of a book, the essential collection of a poet whose words have entered our common language. The collection spans five decades, and is comprised of 868 poems (nearly 300 of which never before appeared in book form) with annotations by Arnold Rampersad and David Roessel. Alongside such famous works as "The Negro Speaks of Rivers" and Montage of a Dream Deferred, The Collected Poems includes Hughes's lesser-known verse for children; topical poems distributed through the Associated Negro Press; and poems such as "Goodbye Christ" that were once suppressed.
Selected Poems of Langston Hughes
Langston Hughes electrified readers and launched a renaissance in Black writing in America—the poems in this collection were chosen by Hughes himself shortly before his death and represent stunning work from his entire career. The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night." They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture. They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror—and the marrow of the bone of life." The collection includes "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America." It gives us a poet of extraordinary range, directness, and stylistic virtuosity.