Scripts And Scripture
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Scripts and Scripture
Author: Fred M. Donner
language: en
Publisher: Institute for the Study of Ancient Cultures
Release Date: 2022-06-30
How did Islam's sacred scripture, the Arabic Qur'an, emerge from western Arabia at a time when the region was religiously fragmented and lacked a clearly established tradition of writing to render the Arabic language? The studies in this volume, the proceedings of a scholarly conference, address different aspects of this question. They include discussions of the religious concepts found in Arabia in the centuries preceding the rise of Islam, which reflect the presence of polytheism and of several varieties of monotheism including Judaism and Christianity. Also discussed at length are the complexities surrounding the way languages of the Arabian Peninsula were written in the centuries before and after the rise of Islam-including Nabataean and various North Arabian dialects of Semitic-and the gradual emergence of the now-familiar Arabic script from the Nabataean script originally intended to render a dialect of Aramaic. The religious implications of inscriptions from the pre-Islamic and early Islamic centuries receive careful scrutiny. The early coalescence of the Qur'an, the kind of information it contains on Christianity and other religions that formed part of the environment in which it first appeared, the development of several key Qur'anic concepts, and the changing meaning of certain terms used in the Qur'an also form part of this rich volume.
Between Script and Scripture: Performance Criticism and Mark's Characterization of the Disciples
This volume reimagines the first-century reception of the Gospel of Mark within a reconstructed (yet hypothetical) performance event. In particular, it considers the disciples' character and characterization through the lens of performance criticism. Questions concerning the characterization of the disciples have been relatively one-sided in New Testament scholarship, in favor of their negative characterization. This project demonstrates why such assumptions need not be necessary when we (re-)consider the oral/aural milieu in which the Gospel of Mark was first composed and received by its earliest audiences.
With Calvin in the Theater of God
Stemming from the Desiring God 2009 National Conference, Julius Kim, Douglas Wilson, Marvin Olasky, Mark Talbot, Sam Storms, and John Piper invite us to sit with Calvin in the theater of God, marveling at his glory.