Schuler
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Else Lasker-Schuler
Else Lasker-Schuler, a pivotal figure in German Expressionism, presided over avant-garde cafe life in pre-World War I Berlin in much the same way Gertrude Stein did in Paris around the same time. While her work is not yet very well known in the English-speaking world, it has been enjoying a critical and popular revival in Germany. This full-length biography of Lasker-Schuler--the first in English--explores her poems, plays, prose and graphic works in light of her life. It begins with her fleeing to Switzerland after Hitler's accession to power in 1933, looks back at her childhood in Wuppertal, then follows her life through to its end in Jerusalem in January 1945. As a Jew, a woman and a bohemian, Lasker-Schuler defied every category. Her two marriages--first to Dr. Berthold Lasker, then to Herwarth Walden, founder of the leading avant-garde periodical, gallery and publishing house, Der Sturm (The Storm)--as well as her interactions with Karl Kraus, Franz Marc, Gottfried Benn, Martin Buber and Gershom Scholem, are documented in letters and poems, many included here both in the original and in translation.
Jewish-German Identity in the Orientalist Literature of Else Lasker-Schüler, Friedrich Wolf, and Franz Werfel
One of only a handful of studies on German literary Orientalism, Professor Heizer's pioneering book is the first to examine the phenomenon of Jewish-German Orientalist literature. For many Jewish-German authors of the beginning of the twentieth century, the Orient represented an imaginative space where they could describe and analyze their position as Jews in German society.
The Literary Reputation of Else Lasker-Schüler
From the turn of the century, when she published her first works, the German poet Else Lasker-Schüler (1869-1945) has evoked a variety of critical response and attitudes, from dismissal to the highest praise. Best known as a lyric poet, she wrote poetry and drama as well, and is recognized for her letters and graphic art; her controversial life-style and her association with many of the leading literary and artistic figures of her time, including the poet Gottfried Benn and the painter Franz March, have also attracted considerable interest. During the Weimar years, opposing trends of criticism continued, focusing additionally on the Jewish aspects of her work. After World War II, scholars tried to revive and maintain Lasker-Schüler's reputation, and recent criticism has contributed new insights. This book is the first devoted to the corpus of Lasker-Schüler criticism in its entirety.