Savage Sword Of Conan Key Issues
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The Forensic Comicologist
A childhood comic book fan turned comic book retailer, the author soon discovered the prevalence of scams in the world of comics collecting. This book is his tutorial on how to collect wisely and reduce risks. Drawing on skills learned from twenty years with the San Diego Police Department and as a Comic-Con attendee since 1972, he covers in detail the history and culture of collecting comic books and describes the pitfalls, including common deceptions of grading and pricing, as well as theft, and mail and insurance fraud.
Savage Sword of Conan Volume 5
This volume contains some of the most ambitious adaptations of Conan material to date, reprinting the epic battle that leads to Conan becoming the king of Aquilonia in "Conan the Liberator," the sword-and-sorcery classic "Sword of Skelos," and the exhilarating "Conan and the Sorcerer." Collecting selections from The Savage Sword of Conan the Barbarian issues 49 through 60, this volume also includes the frontispieces and pinups from each issue, drawn by such amazing talent as Ernie Chan, Carl Potts, and Neal Adams! As a special bonus, you'll find a companion piece to Savage Sword Volume 1's "A Witch Shall Be Born" story-that hasn't seen print since its original publication in 1980! * For the first time ever, these classic, uncensored tales are being collected in a series of omnibus-style books, with over 500 pages of sword-and-sorcery adventure in each volume — for the complete Conan collector! * A New York Times bestseller!
Medievalist Comics and the American Century
Author: Chris Bishop
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2016-08-25
The comic book has become an essential icon of the American Century, an era defined by optimism in the face of change and by recognition of the intrinsic value of democracy and modernization. For many, the Middle Ages stand as an antithesis to these ideals, and yet medievalist comics have emerged and endured, even thrived alongside their superhero counterparts. Chris Bishop presents a reception history of medievalist comics, setting them against a greater backdrop of modern American history. From its genesis in the 1930s to the present, Bishop surveys the medievalist comic, its stories, characters, settings, and themes drawn from the European Middle Ages. Hal Foster's Prince Valiant emerged from an America at odds with monarchy, but still in love with King Arthur. Green Arrow remains the continuation of a long fascination with Robin Hood that has become as central to the American identity as it was to the British. The Mighty Thor reflects the legacy of Germanic migration into the United States. The rugged individualism of Conan the Barbarian owes more to the western cowboy than it does to the continental knight-errant. In the narrative of Red Sonja, we can trace a parallel history of feminism. Bishop regards these comics as not merely happenchance, but each success (Prince Valiant and The Mighty Thor) or failure (Beowulf: Dragon Slayer) as a result and an indicator of certain American preoccupations amid a larger cultural context. Intrinsically modernist paragons of pop-culture ephemera, American comics have ironically continued to engage with the European Middle Ages. Bishop illuminates some of the ways in which we use an imagined past to navigate the present and plots some possible futures as we valiantly shape a new century.