Sanya Malhotra Movies
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51 Most Popular and Evergreen Bollywood Movies
This book retells classic Bollywood movie stories in clear, friendly language for readers of all ages, especially students, families, and English learners. Each chapter presents a famous film’s plot and characters in a simple, engaging way, preserving the emotions and messages that made them unforgettable. From poets and dreamers to rebels and everyday heroes, the characters reflect universal themes like love, justice, identity, and courage. Alongside the stories, readers learn fascinating facts about how these films were made—directors' bold choices, actors’ transformations, and musical magic. The collection is perfect for revisiting beloved movies or exploring new titles. Whether used for classroom discussion, family reading, or personal enjoyment, the book fosters a deeper appreciation of Bollywood’s storytelling power. Above all, it honors the cultural richness and emotional resonance of Indian cinema, showing how these films continue to connect people across time, language, and background through the timeless art of storytelling.
Women in Contemporary Indian Films and Media
This book investigates the ways in which contemporary Indian cinema, particularly 2010 onwards, has projected and represented women on screen – not just on films and TV but also on new media platforms like OTT and other digital media. The wide-ranging essays reflect on issues of gender violence, sexuality, performance, domestic and public spaces, along with the role of women in the Indian film industry. They draw on current global discourses on gender including #Me Too, ‘Time’s Up’, LGBTQIA, and a call for wages for women on a par with their male counterparts and other socio-cultural debates in the Indian society. The book will be of great interest to scholars and researchers of film studies, gender studies, culture studies, and South Asian studies.
Worlding Tamil Cinema
Author: Amrutha Kunapulli
language: en
Publisher: Taylor & Francis
Release Date: 2025-07-10
Worlding Tamil Cinema is a simultaneous intervention in the study of world cinema and the cinemas of India. With a focus on the globalising impulses of twenty-first-century Tamil cinema, the book explores the relationship between cinema, state, nationhood, and world cinema in the twenty-first century. On the one hand, the book argues for the limitations of studying Tamil cinema as "Indian" cinema by laying out the politics of nation, region, cinema, and statehood that have affected the cinemas of India, both in form and in content. In parallel, the book sets up a revised definition of world cinema as a category of cinema, revises the limits of world cinema as a field of film studies, and theorises the agentive process of “worlding." These interrelated discourses become the framework within which to study twenty-first-century Tamil cinema as world cinema. As such, the book provides a history of the Tamil film industry, as well as historical trajectories of the various narrative structures of Tamil cinema, which highlight the already global past of the industry, while using them as a foundation for the study of contemporary cinema and its global tendencies. The chapters study what have been considered unique features of Tamil cinema–the star system, the comedian and comedy track, and song sequence–and the way they have been changed to adapt to the globalist tendencies of non-native audiences and globalising sensibilities of native audiences, especially in the digital media era. This insightful volume will interest students and scholars of world cinema and cinemas of India, South Asian media and pop culture, and media scholars of the global south.