Salaam Bollywood


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Salaam Bollywood


Salaam Bollywood

Author: Vikrant Kishore

language: en

Publisher: Routledge

Release Date: 2016-03-31


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This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.

Salaam Bollywood


Salaam Bollywood

Author: Bhawana Somaaya

language: en

Publisher: Lancer

Release Date: 2000


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This Book Is A Journalist`S Homage To The Hindi Filmworld Chronicling Incidents And Encounters Of Shame And Scandals, The Depravation And The Degradation, The Exhibitionism And The Eccentricity, A Fatal Attraction About The World Of Cinema That Is Obsessive.

Salaam Bollywood


Salaam Bollywood

Author: Vikrant Kishore

language: en

Publisher: Routledge

Release Date: 2016-03-31


DOWNLOAD





This book traces the journey of popular Hindi cinema from 1913 to contemporary times when Bollywood has evolved as a part of India’s cultural diplomacy. Avoiding a linear, developmental narrative, the book re-examines the developments through the ruptures in the course of cinematic history. The essays in the volume critically consider transformations of the Hindi film industry from its early days to its present self-referential mode, issues of gender, dance and choreography, Bombay cinema’s negotiations with the changing cityscape and urbanisms, and concentrate on its multifarious regional, national and transnational implications in the 21st century. One of the most comprehensive volumes on Bollywood, this work presents an analytical overview of the multiple histories of popular cinema in India and will be useful to scholars and researchers interested in film and media studies, South Asian popular culture and modern India, as well as to cinephiles and general readers alike.