Rx Murder 1958
Download Rx Murder 1958 PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Rx Murder 1958 book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
The CinemaScope Years
Virtually every current widescreen movie, television broadcast or streamed image benefits from the techniques that have evolved since the widespread adoption of the first practical use of anamorphic photography: CinemaScope. Wildly successful, CinemaScope with its huge screen and vividly panoramic images lured audiences away from their television sets and ended a sharp decline in moviegoing attendance. And yet, generations who grew up from the 1960s through the 1990s experienced these films in a completely disfigured format, sized to fit black-and-white television screens of the era. The chapters in this book provide a first-time re-evaluation of the cinematic qualities of all 538 major studio-produced/financed films shot in CinemaScope. Also included are excerpts of interviews with cameramen and directors who describe in detail the development and problems presented by widescreen production. Each title entry includes a brief synopsis including major cast members, an analysis highlighting the artistic values present or absent, and comments from critics and trade papers pertinent to the use of the wide screen process.
Cinemascope 3
This third collection of widescreen wonders photographed in CinemaScope, focuses on such popular movies as "Love Is a Many-Splendored Thing," "Cleopatra," "Three Coins in the Fountain," "Bus Stop," "There's No Business Like Show Business," "The Seven Year Itch," "Let's Make Love," "Peyton Place," "North to Alaska," "The Longest Day," "The Eddy Duchin Story," "Far from the Madding Crowd," "The Man in the Gray Flannel Suit," "The Helen Morgan Story," "A Star Is Born" and "2001: A Space Odyssey."
Soundtracks
First published in 1998, music scored for film has only relatively recently received the critical attention which it merits. Many composers in the twentieth century have written works for films or documentaries, a number feeling that this aspect of their output has been undervalued. This dictionary complements other studies which have appeared in recent years which look at the technical and theoretical issues concerned with film music composition. Arranged alphabetically by composer, the volume comprises over 500 entries covering all nationalities. Each entry includes very brief biographical information on the composer, followed by a list of the films (with dates) for which he or she has composed. Details of recordings are also given. The dictionary’s international coverage ensures that it will become a standard reference work for all those interested in the history of twentieth-century music and the development of film.