Rhythm In Architecture
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Rhythm in Architecture
Rhythm in Architecture is the first ever translation into English of a key early Modernist text, written by the celebrated Soviet Constructivist architect Moisei Ginzburg and first published in Russian as Ritm v Arkhitekture in 1923. Ginzburg is most famous for his Narkomfin Building in Moscow, completed in 1932, which he described as a "social-condenser": a radical experiment in communal living. While Ginzburg's second book Style and Epoch, published in 1924, is often seen as the manifesto for Russian Constructivism, Rhythm in Architecture--which preceded it--can be seen as his attempt to create a synthesis in thinking about architecture as a whole, seeking to show how "the true essence of all works of architecture" are "inspired by the laws of rhythm". Rhythm in Architecture is republished in cooperation with the Ginzburg Design Practice run by Moisei Ginzburg's grandson, Aleksey and his partner Natalia Shilova. It is the first of a planned series of reprints of Ginzburg's four books, Home, 1934 and Industrialising Housing Construction, 1937 as well as Style and Epoch, 1924--the only one previously available in English.
Nature Of Ornament
Author: Kent Bloomer
language: en
Publisher: W. W. Norton & Company
Release Date: 2000-10-31
Yet during the twentieth century, ornament was scorned (Adolf Loos famously called it "crime") and its study all but eliminated from art and architecture curricula. What happened - and must we live with the result? Is ornament dead?".
Pulsation in Architecture
Pulsation in Architecture highlights the role of digital design as the catalyst for a new spatial sensibility related to rhythmic perception. It proposes a novel critical reception of computational architecture based on the ability of digital design to move beyond mere instrumentality, and to engage with core aspects of the discipline: the generative engine of digital architecture reinvigorates a discourse of part-to-whole relationships through the lens of rhythmic affect. There is a paradigm shift in spatial perception due to the intense use of computational techniques and the capacity to morph massive amounts of data in spatial patterns; rhythm plays a pivotal role in the articulation of the topology of buildings, generating the atmospheric character that induces moods and throbbing sensations in space. Pulsation introduces the fundamental animate capacity of living form and reshapes our perception of architectural space across the multiple scales of a project, from digital inception to fabrication. An emerging thread of rhythmic sensibility loosely binds a survey of contemporary design practices, including contributions by Peter Eisenman, Jeff Kipnis, Greg Lynn, UNStudio, Preston Scott Cohen, Reiser + Umemoto, Asymptote, Ali Rahim, Hernan Diaz Alonso, Ruy Klein, Gage / Clemenceau, NOX, Evan Douglis Studio, kokkugia, and MONAD Studio.