Rewriting Masculinity
Download Rewriting Masculinity PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Rewriting Masculinity book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Rewriting Masculinity
Author: Kelly J. Murphy
language: en
Publisher: Oxford University Press
Release Date: 2019-02-04
Who is the biblical Gideon? A mighty warrior, or a fearful son? Hesitant solider, clever tactician, commanding father, ruthless killer, idolater, or illegitimate king? Gideon has long challenged readers of the book of Judges. How did so many conflicting portraits become inscribed in our biblical text and its reception? What might these portraits tell us about the authors, editors, and interpreters of Gideon's story-especially their expectations for men? Rewriting Masculinity interweaves redaction criticism, reception history, and masculinity studies to explore how Gideon's image changes from a mighty warrior to a weakling, from a successful leader to a man who led Israel astray. Kelly J. Murphy first considers the ways that older traditions about Gideon were rewritten throughout ancient Israel's history, sometimes in order to align the story of Gideon with new ideas about what it meant to act like a man. At other times, she shows that the story of Gideon was used to explain why older standards of masculinity no longer worked in new contexts. Murphy then traces how some later interpreters, from the ancient to the contemporary, continually rewrote Gideon in light of their own models for men, might, and masculinity. Murphy offers an in-depth case study of how a biblical text was continuously updated. Emphasizing the importance of reading biblical stories and expansions alongside their later reception, she shows that the story of Gideon the mighty warrior is, in many ways, the story of masculinity in miniature: a constantly-transforming construct.
Rewriting White Masculinities in Contemporary Fiction and Film
This book focuses on the construction of hegemonic masculinity as well as its representations in literature, culture, and film. Although white heterosexual masculinity continues to be the dominant model, it remains, paradoxically, largely invisible in gender terms. While the first three chapters thus offer introductory theoretical perspectives on the latest research on white masculinities, the following chapters concentrate on applying masculinity theory to the analysis of both social constructions and cultural (i.e. literary and film) representations of men’s emotions (with a special focus on new fatherhood models), friendships between men, as well as gender-based violence.
Jane Austen's Men
This book illuminates Jane Austen’s exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity – a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century – Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency. Jane Austen’s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen’s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.