Representation Of India In Select Novels
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REPRESENTATION OF INDIA IN SELECT NOVELS
Author: Dr. Himanshu Parmar
language: en
Publisher: Horizon Books ( A Division of Ignited Minds Edutech P Ltd)
Release Date:
The book is an attempt to analyze the construction of India by five authors in their seminal works of literature. The first of the five novels is A Passage to India by E. M. Forster published in 1924. Chronologically, it is followed by Midnight’s Children, the “Booker of Bookers” for the year 1993, published in 1981 by Salman Rushdie. The third one is The Great Indian Novel , modeled on the Great Indian Epic, The Mahabharata, published in 1989 by Shashi Tharoor. The fourth one belongs to the canon of Regional Literature and is composed by Kamleshwar. The original title is Kitne Pakistan published in 2000 and the English translation Partitions came in 2006. The book makes use of the text in Hindi for reference and quoting. There are two reasons for this: first, language is not merely a medium between the text and the reader, but also something that carries a ‘voice’. The use of Hindi by Kamleshwar has a bearing on the kind of di scourse bei ng generated, as di scussed l ater. Secondl y, language acts in a cultural context and hence the impact that it carries is properly highlighted only in the original language in which the work has been composed. A translated work is, at times, not able to convey the spirit behind the words. The quotes from the text have been given in Roman script. The last one taken is Kiran Desai’s The Inheritance of Loss, published in 2006 and the winner of the “Man Booker Prize” in the same year.
Narrating Cultural Encounter
This book interrogates and historicises eighteenth-century British women writers’ responses to India through the novel and travel writing to bring out the polyvalent space arising out of their complex negotiation with the colonial discourse. Though British women enjoyed their privileged racial status as the utilisers of colonial riches, they articulated their voice of dissent when they faced the politics of subordination in their own society and identified them with the marginalised status of the colonised Indians. This brings out the complicity and critique of the colonial discourse of British women writers and foregrounds their ambivalent responses to the colonial project. This book provides detailed textual analysis of the works of Phebe Gibbes, Elizabeth Hamilton, Lady Morgan, Jemima Kindersley and Eliza Fay through critical insights from the idea of the Enlightenment, postcolonial theory and feminist thought. It also foregrounds new perspectives to colonial discourse vis-à-vis the representation of India by locating the dialogic strain within the British narratives about India.
The Great Indian Novel
In this award-winning novel, Tharoor has masterfully recast the two-thousand-year-old epic, The Mahabharata, with fictional but highly recognizable events and characters from twentieth-century Indian politics. Nothing is sacred in this deliciously irreverent, witty, and deeply intelligent retelling of modern Indian history and the ancient Indian epic The Mahabharata. Alternately outrageous and instructive, hilarious and moving, it is a dazzling tapestry of prose and verse that satirically, but also poignantly, chronicles the struggle for Indian freedom and independence.