Rem Koolhaas Elements Of Architecture
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Elements of Architecture
Floors are studied, analyzed, and cataloged by means of an endless variety of visual references, from ancient times to modern developments.
Elements: Stair
Architecture is a strange mixture of persistence and flux, an amalgamation of elements -- some that have been around for over 5,000 years and others that were (re)invented yesterday. The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous. Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix -- the ideas of the architect that constitute the practice of architecture today. A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.
The Additional Element in Architecture
An ingenious reconstruction—and revealing analysis through “visual archaeology”—of avant-garde artist Kazimir Malevich's lost arkhitektons. Among the Russian avant-garde artist Kazimir Malevich’s most intriguing works, the arkhitektons are also the most enigmatic, as these quasi-architectural sculptures made in the 1920s were almost entirely lost, along with many of the accompanying drawings, or planits. In The Additional Element in Architecture, Pedro Ignacio Alonso and Paulina Bitrán bring Malevich's elusive arkhitektons to startling, three-dimensional life and show how these objects form a comprehensive universe that embodies the artist's Suprematism—his belief in the supremacy of pure artistic sensation in abstraction. The book features digital reconstructions of 15 arkhitektons and planits that are lost in their original physical form. Using a method they call visual archaeology, Alonso and Bitrán explore how these structures figure in Malevich's investigations of spatial form. In the authors’ view, the arkhitektons and planits constitute a series of changing configurations, or “states,” rather than fixed or closed monolithic sculptures that can be reckoned with individually. They are provisional assemblages of prismatic volumes linked only by gravity and equilibrium—ephemeral arrangements that digital modeling exposes and opens to new analysis. Along with its illustrations and analysis of the ingeniously recreated arkhitektons and planits, Alonso and Bitrán provide historiographical notes on the different appearances of these models, as well as a critical consideration of how Malevich’s own conception of the “additional element” might place these beguiling figures within a wider history of modern architecture.