Reluctantly Virtual
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Online File Sharing
It is apparent that file sharing on the Internet has become an emerging norm of media consumption—especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden—home to both The Pirate Bay and Spotify—he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms.
The Virtual Hospital
This book describes the current picture of healthcare and how medicine can develop in the 21st century to provide traditional hospital services differently with the use of clinical-digital transformation. Technological and social developments are enabling doctors, patients, tech developers, entrepreneurs and policy makers to recognise that care delivery can be achieved in novel and interesting ways far from the classic bricks and mortar approach. There are multiple triggers for change including the ageing population, limitations of existing clinical capacity and the COVID pandemic, accelerating the use of remote technologies, along with patient demands and expectations being higher than ever. With the speed of development of so many new technologies, it is hard to keep track of them, plus there is a need to scrutinize their claims and true potential for significant improvements in care delivery. The increasing global emphasis on the use of ‘virtual wards’, a way of remotely monitoring patients in their own homes and freeing up hospital beds, raises questions about the use of such systems of care and how they may be prone to safety failures and higher costs. The rush to use them needs to be balanced with the right level of evaluation and assurance. The Virtual Hospital explores the many approaches by which traditional medical practice is changing and the potential for new technologies (everything from biohacking to AI) to disrupt the existing paradigm. The goal is to assess and challenge whether the claims for such developments are robust and beneficial, rather than merely praising how shiny and clever the future looks. Consequently, this book is of enormous value to all involved in the provision of care, from physicians, nurses and healthcare planners to data scientists and healthcare leaders in all clinical settings.
Selling Digital Music, Formatting Culture
Author: Jeremy Wade Morris
language: en
Publisher: Univ of California Press
Release Date: 2015-09-01
Selling Digital Music, Formatting Culture documents the transition of recorded music on CDs to music as digital files on computers. More than two decades after the first digital music files began circulating in online archives and playing through new software media players, we have yet to fully internalize the cultural and aesthetic consequences of these shifts. Tracing the emergence of what Jeremy Wade Morris calls the “digital music commodity,” Selling Digital Music, Formatting Culture considers how a conflicted assemblage of technologies, users, and industries helped reformat popular music’s meanings and uses. Through case studies of five key technologies—Winamp, metadata, Napster, iTunes, and cloud computing—this book explores how music listeners gradually came to understand computers and digital files as suitable replacements for their stereos and CD. Morris connects industrial production, popular culture, technology, and commerce in a narrative involving the aesthetics of music and computers, and the labor of producers and everyday users, as well as the value that listeners make and take from digital objects and cultural goods. Above all, Selling Digital Music, Formatting Culture is a sounding out of music’s encounters with the interfaces, metadata, and algorithms of digital culture and of why the shifting form of the music commodity matters for the music and other media we love.