Reductionism In Art And Brain Science
Download Reductionism In Art And Brain Science PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Reductionism In Art And Brain Science book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Reductionism in Art and Brain Science
Author: Eric R. Kandel
language: en
Publisher: Columbia University Press
Release Date: 2016-08-30
Are art and science separated by an unbridgeable divide? Can they find common ground? In this new book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism—the distillation of larger scientific or aesthetic concepts into smaller, more tractable components—has been used by scientists and artists alike to pursue their respective truths. He draws on his Nobel Prize-winning work revealing the neurobiological underpinnings of learning and memory in sea slugs to shed light on the complex workings of the mental processes of higher animals. In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time—the brain—has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other.
The Cambridge Handbook of the Imagination
Author: Anna Abraham
language: en
Publisher: Cambridge University Press
Release Date: 2020-06-18
The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.
This Is What It Sounds Like
Legendary record producer-turned-brain scientist explains why you fall in love with music. 'Extraordinary insights about music, emotion and the brain...An instant classic' Daniel Levitin, author of This Is Your Brain on Music This Is What It Sounds Like is a journey into the science and soul of music. It's also the story of a musical trailblazer who began as a humble audio tech in L.A. to become Prince's chief engineer for Purple Rain and one of the most successful female record producers of all time. Now an award-winning professor of cognitive neuroscience, Dr Susan Rogers takes readers behind the scenes of record-making and leads us to musical self-awareness. She explains that everyone possesses a unique 'listener profile', shows how being musical can mean actively listening, and encourages us to think about the records that define us. Lively and illuminating, this book will refresh your playlists, deepen your connection to artists, and change the way you listen to music. 'Superb... this book can show you how to be a better listener' Times Literary Supplement 'A provocative blend of studio stories and fascinating neuroscience' Alan Light, author of Let's Go Crazy: Prince and the Making of Purple Rain 'Fizzing with energy and insight...a crucial addition to the canon of music must-reads' Kate Hutchinson