Reasons For Knocking At An Empty House

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Reasons for Knocking at an Empty House

Each work illustrated is accompanied by a description by the artist as well as comments on the work's origins from the artist's notebooks.
Moving without a Body

A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think—rather than just perform or perceive—movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.
The Sacred Desert

The Sacred Desert is a reflection on the role of the desert in theology, history, literature, art and film.:.; An original reflection on the role of the desert in theology, history, literature, art and film.; Discusses figures as diverse as Jesus, the early Christian Desert Fathers, T.E. Lawrence, T.S. Eliot, Georgia O'Keeffe, Wim Wenders and Jim Crace.; Makes connections across millennia of desert literature.; Deepens the reader's understanding of the desert as a real place, as an interior space, and as a textual site,.; Concludes with comments on the recent conflicts in Iraq.; Written in a r.