Racism In Othello
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Racism, Misogyny, and the Othello Myth
Author: Celia R. Daileader
language: en
Publisher: Cambridge University Press
Release Date: 2005-08-25
Through readings of texts spanning four centuries, and bridging the Atlantic - from genres as diverse as English Renaissance drama, abolitionist literature, gothic horror and contemporary romance - Daileader questions why Anglo-American culture's most widely-read and canonical narratives of inter-racial sex feature a black male and a white female and not a black female and a white male. This study considers the cultural obsession with stories patterned on Shakespeare's Othello alongside the more historically pertinent, if troubling, question of white male sexual predation upon black females. Daileader terms this phenomenon 'Othellophilia' - the fixation on Shakespeare's tragedy of inter-racial marriage to the exclusion of other definitions and more optimistic visions of inter-racial tension. This original study argues that masculinist racist hegemony used myths about black male sexual rapacity and the danger of racial 'pollution' in order to police white female sexuality and exorcise collective guilt over the sexual slavery of women of color.
Things of Darkness
1. A World of Difference: Travel Narratives and the Inscription of Culture -- 2. Fair Texts/Dark Ladies: Renaissance Lyric and the Poetics of Color -- 3. "Commerce and Intercourse": Dramas of Alliance and Trade -- 4. The Daughters of Eve and the Children of Ham: Race and the English Woman Writer -- 5. "An Object in the Midst of Other Objects": Race, Gender, Material Culture -- Epilogue: Oil "Race," Black Feminism, and White Supremacy -- Appendix: Poems of Blackness.
Performing the Renaissance Body
Author: Sidia Fiorato
language: en
Publisher: Walter de Gruyter GmbH & Co KG
Release Date: 2016-03-21
In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.