Quo Vadis Domine

Western Christian Advocate

Ecclesial Futures: Volume 1 Issue 1

Ecclesial Futures publishes original research and theological reflection on the development and transformation of local Christian communities and the systems that support them as they join in the mission of God in the world. We understand local Christian communities broadly to include traditional “parish” churches and independent local churches, religious communities and congregations, new church plants, so-called “fresh expressions” of church, “emergent” churches, and “new monastic” communities. We are an international and ecumenical journal with an interdisciplinary understanding of our approach to theological research and reflection; the core disciplines being theology, missiology, and ecclesiology. Other social science and theological disciplines may be helpful in supporting the holistic nature of any research, e.g., anthropology and ethnography, sociology, statistical research, biblical studies, leadership studies, and adult learning. The journal fills an important reflective space between the academy and on-the-ground practice within the field of mission studies, ecclesiology, and the so-called “missional church.” This opportunity for engagement has emerged in the last twenty or so years from a turn to the local (and the local church) and, in the western world at least, from the demise of Christendom and a rapidly changing world—which also affects the church globally. The audience for the journal is truly global wherever the local church and the systems that support them exists. We expect to generate interest from readers in church judicatory bodies, theological seminaries, university theology departments, and in local churches from all God’s people and the leaders amongst them.

Poets of the Chinese Revolution

How poetry and revolution meshed in Red China The Chinese Revolution, which fought its way to power seventy years ago, was a complex and protracted event in which groups and individuals with different hopes and expectations for the Revolution competed, although in the end Mao came to rule over the others. Its veterans included many poets, four of whom feature in this anthology. All wrote in the classical style, but their poetry was no less diverse than their politics. Chen Duxiu, led China’s early cultural awakening before founding the Communist Party in 1921. Mao led the Party to power in 1949. Zheng Chaolin, Chen Duxiu’s disciple and, like him, a convert to Trotskyism, spent thirty-four years in jail, first under the Nationalists and then under their Maoist nemeses. The guerrilla leader Chen Yi wrote flamboyant and descriptive poems in mountain bivouacs or the heat of battle. Poetry has played a different role in China, and in Chinese Revolution, from in the West—it is collective and collaborative. But in life, the four poets in this collection were entangled in opposition and even bitter hostility towards one another. Together, the four poets illustrate the complicated relationship between Communist revolution and Chinese cultural tradition.