Quest For The Past
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Quest for the Past
This revised second edition maintains the objective of the first edition; that is to tell the story of some well-known archaeologists & some remarkable excavations as well as to throw light on some of the ways in which the founders of the discipline unearthed early civilizations, probed the origins of humankind, etc.
Why Study the Past?
Christianity Today, Award of Merit, History/Biography (2006) The well-worn saying about being condemned to repeat the history we do not know applies to church history as much as to any other area of history. But how can we discern what lessons we need to learn from the many centuries of church history? In this small but thoughtful volume, respected theologian and churchman Rowan Williams opens up a theological approach to history, an approach that is both nonpartisan and relevant to the church's present needs. As he reflects on how we consider the past in general, Williams suggests that church history remains important not so much for winning arguments as for clarifying who we are as time-bound human beings. Williams particularly addresses North American readers in his new preface to this perennially timely invitation to remember who we are.
The Quest for an Appropriate Past in Literature, Art and Architecture
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.