Purple 60s Dress
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Purple Prose
Fifteen Australian women writers were asked to respond to the colour purple. In their hands, purple takes on many meanings. There are stories about Tyrian purple, a snippet of King George's coronation gown, pigeon fanciers, the Dockers' Purple Haze and their layers are explored through themes of feminism, multiculturalism, artists and aging, mothers and daughters and aunts. This is a book for women readers everywhere.
The Dress
Author: Kate Kerrigan
language: en
Publisher: Bloomsbury Publishing
Release Date: 2015-07-01
'Glamorous, gripping and moving. I just loved it' MARIAN KEYES. Joy is beautiful, but she has a secret fear. Although she is the toast of 1950s New York Society, with everything money can buy, she is afraid that one day her beauty will fade and she will lose the love of her glamorous husband. Honor is a young seamstress, who has been working her fingers to the bone with little reward, but her luck is about to change. For her 30th birthday, Joy commissions Honor to create the the most dazzling dress ever seen. Lily has always loved vintage clothes. Thousands follow her fashion blog. One day she stumbles upon an article about a legendary evening dress, created in the 1950s, but now lost to history. She knows that she must find out more. What Lily uncovers is a story of glamour, friendship and love betrayed. The story of two women, one ruthless man – and a dress so sublime, nothing in couture would ever match it again.
Finding Purple America
Author: Jon Smith
language: en
Publisher: University of Georgia Press
Release Date: 2013-05-01
The new southern studies has had an uneasy relationship with both American studies and the old southern studies. In Finding Purple America, Jon Smith, one of the founders of the new movement, locates the source of that unease in the fundamentally antimodern fantasies of both older fields. The old southern studies tends to view modernity as a threat to a mystic southern essence--a dangerous outside force taking the form of everything from a "bulldozer revolution" to a "national project of forgetting." Since the rise of the New Americanists, American studies has also imagined itself to be in a permanent crisis mode, seeking to affiliate the field and the national essence with youth countercultures that sixties leftists once imagined to be "the future." Such fantasies, Smith argues, have resulted in an old southern studies that cannot understand places like Birmingham or Atlanta (or cities at all) and an American studies that cannot understand red states. Most Americans live in neither a comforting, premodern Mayberry nor an exciting, postmodern Los Angeles but rather in what postcolonialists call "alternative modernities" and "hybrid cultures" whose relationships to past and future, to stability and change, are complex and ambivalent. Looking at how "the South" has played in global metropolitan pop culture since the nineties and at how southern popular and high culture alike have, in fact, repeatedly embraced urban modernity, Smith masterfully weaves together postcolonial theory, cultural studies, Lacanian psychoanalysis, and, surprisingly, marketing theory to open up the inconveniently in-between purple spaces and places that Americanist and southernist fantasies about "who we are"have so long sought to foreclose.