Prosodic Weight
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Prosodic Categories: Production, Perception and Comprehension
Author: Sónia Frota
language: en
Publisher: Springer Science & Business Media
Release Date: 2011-01-04
Located at the intersection of phonology, psycholinguistics and phonetics, this volume offers the latest research findings in key areas of prosodic theory, including: •The relationship between intonation and pragmatics in speech production •Sentence modality prosody characterization •The role of pitch in quantity-based sound systems •Consonant-conditioned tone depression phonology across languages •The encoding of intonational contrasts in both intonational and tonal languages Featuring new data and ground-breaking results, the papers draw on empirical approaches that analyze production, perception and comprehension experiments such as the prepared speech paradigm and semantic scaling tasks. These are discussed in a variety of languages, some underrepresented in the literature (such as French and Estonian) while others, such as Shekgalagari, are examined in this way for the first time. This collection of cutting-edge material will be of interest to a broad range of language researchers.
Theoretical Approaches to Disharmonic Word Order
This book considers the implications of cross-linguistic word-order patterns for linguistic theory. One of the salient results of Joseph Greenberg's pioneering work in language typology was the notion of a 'harmonic' word-order type, whereby if the verb appears at the left or right edge of the verb phrase, other heads (e.g. prepositions, nouns) also tend to do so. Today, however, there is recognition in both the typological and generative literature that very many, and possibly even the majority of languages, fail to be fully harmonic in the sense that all head-complement pairs pattern alike. But does this imply limitless variation? The chapters in this volume, written by international scholars, discuss the issues arising from this basic question, drawing on data from typologically distinct disharmonic languages, including Mandarin Chinese, Basque, Mócheno (a Tyrolean variety spoken in Northern Italy), French, English, Hixkaryana (a Cariban language), Khalkha Mongolian, Uyghur Turkic, and Afrikaans. The volume begins with a substantial introduction to the study of word order and its relation to linguistic theory. It is then divided into sections on the nature of disharmony; the role of prosody; the question of Antisymmetry and novel alternatives to Antisymmetry; and the Final-over-Final Constraint. Aside from introducing new empirical findings, the volume also offers a range of new perspectives on disharmonic word orders, the status of word order in linguistic theory, and theoretical accounts of typological gaps.
Prosodic Morphology in Mandarin Chinese
It is not entirely clear if modern Chinese is a monosyllabic or disyllabic language. Although a disyllabic prosodic unit of some sort has long been considered by many to be at play in Chinese grammar, the intuition is not always rigidly fleshed out theoretically in the area of Chinese morphology. In this book, Shengli Feng applies the theoretical model of prosodic morphology to Chinese morphology to provide the theoretical clarity regarding how and why Mandarin Chinese words are structured in a particular way. All of the facts generated by the system of prosodic morphology in Chinese provide new perspectives for linguistic theory, as well as insights for teaching Chinese and studying of Chinese poetic prosody.