Program Tf1

France

Programming Languages and Systems

ETAPS 2000 was the third instance of the European Joint Conferences on Theory and Practice of Software. ETAPS is an annual federated conference that was established in 1998 by combining a number of existing and new conferences. This year it comprised ve conferences (FOSSACS, FASE, ESOP, CC, TACAS), ve satellite workshops (CBS, CMCS, CoFI, GRATRA, INT), seven invited lectures, a panel discussion, and ten tutorials. The events that comprise ETAPS address various aspects of the system de- lopment process, including speci cation, design, implementation, analysis, and improvement. The languages, methodologies, and tools which support these - tivities are all well within its scope. Di erent blends of theory and practice are represented, with an inclination towards theory with a practical motivation on one hand and soundly-based practice on the other. Many of the issues involved in software design apply to systems in general, including hardware systems, and the emphasis on software is not intended to be exclusive.

Reel Politics

In the mid-1980s, Neil Postman claimed that television made entertainment the natural format for the representation of all experience. While Postman’s argument still is pertinent to a description of contemporary television shows, it also seems increasingly more accurate to argue that “reality-based” entertainment is quickly becoming the referential format for televisual representations of our experience in the 21st century. Chapters in this edited volume explore reality television’s place within contemporary media landscape in terms of its potential for political engagement. The authors engage with a variety of issues such as politics of authenticity and performance, audience reception of political issues, ethics and media regulation, politics of self-presentation, modernity, and collective identity. The diversity of perspectives and issues presented in this book cautions readers both against quickly dismissing reality television’s potential as a platform for political discourse and against subscribing to the celebratory rhetoric regarding the democratic potential of reality television. Reel Politics: Reality Television as a Platform for Political Discourse furthers our understanding of the semiotic openness of the reality text and the variations in social, cultural and political contexts across which the reality television genre formulas migrate.