Problems Of Dostoevsky S Poetics

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Problems of Dostoevsky's Poetics

Author: Mikhail Bakhtin
language: en
Publisher: U of Minnesota Press
Release Date: 2013-11-30
This book is not only a major twentieth-century contribution to Dostoevsky’s studies, but also one of the most important theories of the novel produced in our century. As a modern reinterpretation of poetics, it bears comparison with Aristotle.
Problems of Dostoevsky's Poetics

Author: Mikhail Mikhaĭlovich Bakhtin
language: en
Publisher: U of Minnesota Press
Release Date: 1984
This book is the ideal introduction to the thought of Mikhail Bakhtin. Bakhtin is becoming established as one of the giants of 20th century literary criticsm, despite his work being unknown in the West until the 1970's. This book is less about Dostoyevsky per se, rather a profound meditation on how Dostoyevsky's art exemplifies the central concern of Bakhtin, the concept of 'dialogism'. This idea defies a simple definition; the book in exploring manifold aspects of it, itself becomes truly dialogic. If you value Dostoyevsky as an artist, require an antidote to the chill winds of modern 'Theory', or simply appreciate genius at work, catch up with one of the best kept secrets in literature
The Classic Short Story, 1870-1925

Author: Florence Goyet
language: en
Publisher: Open Book Publishers
Release Date: 2014-01-13
The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.