Principles And Applications Of Spatial Hearing

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Principles And Applications Of Spatial Hearing

Humans possess a remarkable ability to extract rich three-dimensional information about sound environments simply by analyzing the acoustic signals they receive at their two ears. Research in spatial hearing has evolved from a theoretical discipline studying the basic mechanisms of hearing to a technical discipline focused on designing and implementing increasingly sophisticated spatial auditory display systems. This book contains 39 chapters representing the current state-of-the-art in spatial audio research selected from papers presented in Sendai, Japan, at the First International Workshop on the Principles and Applications of Spatial Hearing.
Principles and Applications of Spatial Hearing

Author: Yôiti Suzuki
language: en
Publisher: World Scientific Publishing Company Incorporated
Release Date: 2011
Section 3. Capturing and controlling the spatial sound field. A study on 3D sound image control by two loudspeakers located in the transverse plane / K. Iida, T. Ishii, and Y. Ishii. Selective listening point audio based on blind signal separation and 3D audio effect / T. Nishino [und weitere]. Selective listening point audio based on blind signal separation and 3D audio effect / T. Nishino. Sweet spot size in virtual sound reproduction : A temporal analysis / Y. Lacouture Parodi and P. Rubak. Psychoacoustic evaluation of different methods for creating individualized, headphone-presented virtual auditory space from B-format room impulse responses / A. Kan, C. Jin, and A. van Schaik. Effects of microphone arrangements on the accuracy of a spherical microphone array (SENZI) in acquiring high-definition 3D sound space information / J. Kodama [und weitere]. Perception-based reproduction of spatial sound with directional audio coding / V. Pulkki [und weitere]. Capturing and recreating auditory virtual reality / R. Duraiswami [und weitere]. Reconstructing sound source directivity in virtual acoustic environments / M. Noisternig, F. Zotter, and B.F.G. Katz. Implementation of real-time room auralization using a surrounding loudspeaker array / T. Okamoto [und weitere]. Spatialisation in audio augmented reality using finger snaps / H. Gamper and T. Lokki. Generation of sound ball : Its theory and implementation / Y.-H. Kim [und weitere]. Estimation of high-resolution sound properties for realizing an editable sound-space system / T. Okamoto, Y. Iwaya, and Y. Suzuki -- Section 4. Applying virtual sound techniques in the real world. Binaural hearing assistance system based on frequency domain binaural model / T. Usagawa and Y. Chisaki. A spatial auditory display for telematic music performances / J. Braasch [und weitere]. Auditory orientation training system developed for blind people using PC-based wide-range 3-D sound technology / Y. Seki [und weitere]. Mapping musical scales onto virtual 3D spaces / J. Villegas and M. Cohen. Sonifying head-related transfer unctions / D. Cabrera and W.L. Martens. Effects of spatial cues on detectability of alarm signals in noisy environments / N. Kuroda [und weitere]. Binaural technique for active noise control assessment / Y. Watanabe and H. Hamada
Spatial Hearing

Spatial hearing refers to the capacity of listeners to infer information about direction and distance from auditory signals. Its study involves the overlap of acoustics, psychology, psychophysics, physiology, medicine, engineering, architectural design, and musical analysis, and its applications include the design of speaker systems, concert halls and other interiors, and the development of noise-reduction systems. This book updates and expands an interdisciplinary survey and text first published in Germany in 1974. The Journal of the Institute for Radio Engineering wrote of the first edition that "the literature in this field is so fragmented and scattered that it is virtually inaccessible to most audio engineers, telecommunications technicians, and others for whom it is of vital interest. Thus it is all the more a pleasure to acclaim the author of this first comprehensive monograph, and to recognize how successful he has been in his lucid organization and presentation of so much information." The first three chapters offer a general outline of the problem and approaches to its study (apparatus, experimental techniques, psychometric methods); a survey of experiments with a single sound source emitting signals over a range of frequencies and intensities; and a similar survey involving multiple sound sources and enclosed spaces. A new fourth chapter has been added to this edition, reviewing work done since 1972. It includes material on the physics of the external ear, monoaural and interaural attributes of ear input signals, and applications to architectural acoustics and "dummy-head" stereophony. The book also includes an extensive and up to date bibliography.