Press Ya Bunk
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Press Ya' Bunk
Young and nave, Krystal Ashanti Ashford enters a new field: The World of Corrections. With her heart wide open and her good intentions guiding her, she winds up closing the one thing she truly needs: her eyes. Despite her eagerness to be an officer of the law and her willingness to help others, she falls prey to several dangers in the jail, with the inmates being only one of the many threats. It comes to light that almost no one can be trustedespecially the officers. Rumor has it that theres a five hundred dollar bet against her making it through one year. Her pride takes over and now she must learn how to harden her skin, hold her head up high and still make the inmates abide by the rules; all the while watching her back to make sure she leaves the same way she comes in. Can she handle the pressure and prove all the haters wrong ?
Press YA' Bunk
Author: K. Abrams
language: en
Publisher: Tate Publishing & Enterprises
Release Date: 2014-10-21
Young and naïve, Krystal Ashanti Ashford enters a new field: "The World of Corrections." With her heart wide open and her good intentions guiding her, she winds up closing the one thing she truly needs: her eyes. Despite her eagerness to be an officer of the law and her willingness to help others, she falls prey to several dangers in the jail, with the inmates being only one of the many threats. It comes to light that almost no one can be trusted--especially the officers. Rumor has it that there's a five hundred dollar bet against her making it through one year. Her pride takes over and now she must learn how to harden her skin, hold her head up high, and still make the inmates abide by the rules, all the while watching her back to make sure she leaves the same way she comes in. Can she handle the pressure and prove all the haters wrong? I think that this one question covers all the bases: can she do it? To have other questions following is somewhat superfluous at this point.
Creating the Jazz Solo
Author: Vic Hobson
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2018-10-09
Throughout his life, Louis Armstrong tried to explain how singing with a barbershop quartet on the streets of New Orleans was foundational to his musicianship. Until now, there has been no in-depth inquiry into what he meant when he said, “I figure singing and playing is the same,” or, “Singing was more into my blood than the trumpet.” Creating the Jazz Solo: Louis Armstrong and Barbershop Harmony shows that Armstrong understood exactly the relationship between what he sang and what he played, and that he meant these comments to be taken literally: he was singing through his horn. To describe the relationship between what Armstrong sang and played, author Vic Hobson discusses elements of music theory with a style accessible even to readers with little or no musical background. Jazz is a music that is often performed by people with limited formal musical education. Armstrong did not analyze what he played in theoretical terms. Instead, he thought about it in terms of the voices in a barbershop quartet. Understanding how Armstrong, and other pioneer jazz musicians of his generation, learned to play jazz and how he used his background of singing in a quartet to develop the jazz solo has fundamental implications for the teaching of jazz history and performance today. This assertive book provides an approachable foundation for current musicians to unlock the magic and understand jazz the Louis Armstrong way.