Premiere Shi Pin Bian Ji Ying Yong Jiao Cheng
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From Tao Guang Yang Hui to Xin Xing
Author: Pang Zhongying
language: en
Publisher: ISEAS-Yusof Ishak Institute
Release Date: 2020-06-19
This article traces China’s foreign policy transformation from 2013 to the present. It also examines Deng Xiaoping’s doctrinal response to the political crises of 1989–91 and compares it to current Chinese foreign policy doctrines. From the early 1980s until the 2010s, China’s foreign policy has generally focused on keeping a low profile. Deng’s Tao Guang Yang Hui foreign policy doctrine is characterized by its “No’s”, while Xi Jinping’s Xin Xing is marked by its “New’s”. The move from Tao Guang Yang Hui to Xin Xing is a major doctrinal shift in China’s foreign policy. Since the 19th Party Congress in 2017, Xi’s “new” narratives have seemingly dominated Chinese foreign policy. However, old principles, particularly that of “non-interference” or “no hegemony”, are still alive, albeit in a different form. This transformation is driven by three forces, which this paper describes in the 3As framework: China’s Ambition to be a “great country” and a “non-hegemon” in a changing world; its provision of Alternatives to fill the gaps in regional and global governance structures; and its Adaptation to what it deems as “unprecedented major changes in a century” (Da Bian Ju). As China undergoes this foreign policy transformation, contradictions and dilemmas inevitably emerge. While China’s foreign policy transformation is currently being disrupted by the coronavirus crisis, there have been adjustments which were already apparent before the crisis. The ambitious “One Belt and One Road” strategy, for instance, was replaced by the “Belt and Road Initiative”; “constructive intervention” was replaced by “constructive role”; and “common destiny” was replaced by “shared future”. Looking ahead, China’s foreign policy transformation could include more strategic or, at least, tactical adjustments.
Inscribing Jingju/Peking Opera
What was the most influential mass medium in China before the internet? Jingju (Peking opera)! Although its actors were commonly thought to have been illiterate, written and other inscripted versions of plays became more and more important and varied. This book shows how increasing textualization and the resulting fixation of a performance tradition that once privileged improvisation changed the genre. It traces, from Jingju’s birth in the 19th century to the present, how texts were used for the production and consumption of this important performance genre and the changes in the concepts of authorship, copyright, and performance rights that took place during the process. The state’s desire to police what was performed is shown to have been a major factor in these changes. The scope and coverage of the book is already unprecedented, but it is also supplemented by an additional chapter (on where the plays were performed, who performed them, and who went to see them) available for download online.
The Chinese Navy
Author: Institute for National Strategic Studies
language: en
Publisher: Government Printing Office
Release Date: 2011-12-27
Tells the story of the growing Chinese Navy - The People's Liberation Army Navy (PLAN) - and its expanding capabilities, evolving roles and military implications for the USA. Divided into four thematic sections, this special collection of essays surveys and analyzes the most important aspects of China's navel modernization.