Preface To A Twenty Volume Suicide Note Pdf
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Approaches to Teaching Baraka's Dutchman
Author: Matthew Calihman
language: en
Publisher: Modern Language Association
Release Date: 2018-05-01
First performed in 1964, Amiri Baraka's play about a charged encounter between a black man and a white woman still has the power to shock. The play, steeped in the racial issues of its time, continues to speak to racial violence and inequality today. This volume offers strategies for guiding students through this short but challenging text. Part 1, "Materials," provides resources for biographical information, critical and literary backgrounds, and the play's early production history. The essays of part 2, "Approaches," address viewing and staging Dutchman theatrically in class. They help instructors ground the play artistically in the black arts movement, the beat generation, the theater of the absurd, pop music, and the blues. Background on civil rights, black power movements, the history of slavery, and Jim Crow laws helps contextualize the play politically and historically.
Queer Newark
Author: Whitney Strub
language: en
Publisher: Rutgers University Press
Release Date: 2024-02-16
Histories of gay and lesbian urban life typically focus on major metropolitan areas like San Francisco and New York, opportunity-filled destinations for LGBTQ migrants from across the country. Yet there are many other queer communities in economically depressed cities with majority Black and Hispanic populations that receive far less attention. Though just a few miles from New York, Newark is one of these cities, and its queer histories have been neglected—until now. Queer Newark charts a history in which working-class people of color are the central actors and in which violence, poverty, and homophobia could never suppress joy, resistance, love, and desire. Drawing from rare archives that range from oral histories to vice squad reports, this collection’s authors uncover the sites and people of Newark’s queer past in bars, discos, ballrooms, and churches. Exploring the intersections of class, race, gender, and sexuality, they offer fresh perspectives on the HIV/AIDS epidemic, community relations with police, Latinx immigration, and gentrification, while considering how to best tell the rich and complex stories of queer urban life. Queer Newark reveals a new side of New Jersey’s largest city while rewriting the history of LGBTQ life in America.
Poetry of the Civil Rights Movements in Australia and the United States, 1960s–1980s
This book examines the poetries of two Aboriginal Australian poets, namely Oodgeroo Noonuccal (formerly Kath Walker; 1920–1993) and Lionel Fogarty (1958– ) and two African American Black Arts poets , namely Amiri Baraka (formerly Everett LeRoi Jones; 1934–2014) and Sonia Sanchez (1943– ) to demonstrate their role in the struggle for civil and human rights of their peoples from the 1960s. The book demonstrates commonalities and differences in the strategies of these poets’ literary and political resistance. These poet-activists, though ethnically diverse and geographically dispersed, share comparable socio-political concerns and aspirations. Their activism is not a reflection of a single ideological current, but a bricolage of many ideologies and perspectives. They have engaged in trans-Pacific political movements and transgressed the borders of any one ideological territory. It is important to establish Aboriginal and African American trans-Pacific communication because these poets have collaborated and engaged in global politics (whether in the form of Garveyism or the “transnation”). Their poetries are characterized by an irresistible drive towards international rhizomatic collaboration and engagement. This is a transcontinental literary influence exerted by African American poets on Aboriginal poets during the 1960s and beyond.