Praying For Time Lyrics

The Living Word™ 2025-2026

The Living Word™ helps youth ministers, parish catechists, and high school religion teachers meet teens where they are and guide them to a deeper understanding of the Gospel’s role in their lives. This model of liturgical catechesis through lectionary readings enhances the liturgical preparation, liturgical participation, and liturgical living of teens. Each session can be easily incorporated into lessons or group activities that have already been planned. This resource includes materials for each Sunday and holyday of obligation from the first Sunday of August through the last Sunday in July. Additionally, The Living Word™ includes digital resources to help teens reflect on and act on the Sunday Gospel throughout the week. The Living Word™ includes the following: -Complete and flexible 30-minute sessions to complement your current teen programs -Connections to the liturgical calendar and to Catholic teachings -Ritual with the proclamation of the Gospel -Reflections to help teens understand the Gospel in the context of their own experiences and concerns -Useful tools for integrating the New Evangelization in your teen ministry -Digital reproducibles (in PDF and JPG format) for teens that can be printed, emailed, and shared via social media Authors include: Rena Black, Kate Cousino, Karla Hardersen, and Julia Strukely.

Hymns and Sacred Lyrics

The Lyrics of Civility

This book is the first comprehensive scholarly study of religious images in popular music. Examining bestsellers from 1906 to 1971, the work explores the role religious images have in the secularization of American culture. Popular music lyrics that express an adherence to a sacred order are couched in inoffensive, content-less language. These lyrics of civility reflect and shape the increasing secularization of American culture in the twentieth century. The analysis focuses primarily on the way these lyrics reduce the meaning of the terms and theology of the Biblical faith. The aesthetic of civility carries over into theology, the narratives, and the accompanying instrumental arrangements of songs that adhere to the Biblical sacred order. On the other hand, lyrics that reject the Biblical tradition use content-filled, offensive language. The result is that displaced adherents withdraw from the Biblical tradition and turn to alternative cultural religions, or idols of attraction, including popular music, that offer meaning to fill a void in the individual. The secularization of American society, therefore, is not a withdrawal from the idea of religion itself. The analysis focuses on the two dominant themes in songs that include religious images: prayer and heaven. The author explores the songs of the two world wars, the hit parade era, the rhythm and blues and doo-wop of the 1950s, the new folk singer movement, soul music and rock music of the 1960s, and the revival rock of the early 1970s. The work demonstrates the capacity of one form of popular culture to separate adherents from a subculture through diluting the meaning of the language of the subculture's elemental thought. (Ph.D. dissertation, Bowling Green State University, 1994; revised with new preface, bibliography, and index)