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Postmodern Ethics


Postmodern Ethics

Author: Elizabeth Wren-Owens

language: en

Publisher: Cambridge Scholars Publishing

Release Date: 2009-05-05


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Postmodern Ethics offers a new perspective on debates surrounding the role of the intellectual in Italian society, and provides an original reading of two important Italian contemporary writers, Leonardo Sciascia and Antonio Tabucchi. It examines the ways in which the two writers use literature to engage with their socio-political environment in a climate informed by the doubts and scepticism of postmodernism, after traditional forms of impegno had been abandoned. Postmodern Ethics explores ways in which Tabucchi and Sciascia further their engagement through embracing the very factors which problematized traditional committed writing, such as the absence of fixed truths, the inability of language to fully communicate ideas and intertextuality. Postmodern Ethics provides an innovative new reading of Tabucchi’s works. It challenges the standard view in critical literature that his writing may be divided into ‘engaged’ texts which dialogue with society and ‘postmodern’ texts which focus on literary interiority, suggesting instead that socio-political engagement underpins all of his works. It also offers a new lens on Sciascia’s writing, unpacking why Sciascia, unlike his contemporaries, is able to maintain a belief in literature as a means of dialoguing with society. Postmodern Ethics explores the ways in which Tabucchi and Sciascia approach issues of terrorism, justice, the anti-mafia movement, immigration and the value of reading in connected yet distinct ways, suggesting that a close genealogy may be drawn between these two key intellectual figures.

Global Revolutionary Aesthetics and Politics after Paris ‘68


Global Revolutionary Aesthetics and Politics after Paris ‘68

Author: Martin Munro

language: en

Publisher: Bloomsbury Publishing USA

Release Date: 2021-02-22


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The year 2018 marked the fiftieth anniversary of May ’68, a startling, by now almost mythic event which combined seriousness, courage, humor and theatrics. The contributions of this volume—based on papers presented the conference Does “la lutte continue”? The Global Afterlife of May ’68 at Florida State University in March 2019—explore the ramifications of that springtime protest in the contemporary world. What has widely become known as the movement of ‘68 consisted, in fact, of many synchronous movements in different nations that promoted a great variety of political, social, and cultural agendas. While it is impossible to write a global history of ’68, this volume presents a kaleidoscope of different perceptions, reflections, and receptions of protest in France, Italy, and other nations that share in common a global utopian imaginary as expressed, for example, in the slogan: “All power to the imagination!” The contributions of this collection show that, while all social struggles are political, many lasting changes in individual mentalities and social structures originated from utopian ideas that were realized first in artistic productions and their aesthetic reception. In this respect the various protests of May ’68 continue.

Post-conflict Cultures


Post-conflict Cultures

Author: Cristina Demaria

language: en

Publisher: Studies in Post-Conflict Cultu

Release Date: 2006


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Recent military interventions in Rwanda, Somalia, the former Yugoslavia, Afghanistan and Iraq, amongst others, have placed conflict again at the forefront of international debate. Yet the theoretical analysis of conflicts and of their social and psychological impacts has predictably lagged behind such tumultuous events. Moreover, while scholarship in the areas of strategic studies, international relations and peace studies has addressed the issues in terms of "conflict resolution" and "post-conflict reconstruction", little or no attention has been given to crucial interrelations between conflict and culture. Bringing together international experts from disciplines as diverse as Political Science, History, International Law, Media Studies, Visual Culture, Critical Theory and Semiotics, Post-Conflict Cultures: Rituals of Representation therefore employs an avowedly interdisciplinary approach in order to address what the editors perceive to be a significant omission. In five themed sections, this ambitious volume tackles many questions often excluded from discourses on conflict. How does a past conflict inform a community's vision for its future? How are conflicts represented in the media, in literature, in journalism, in all forms of cultural expression? How do representations of conflict compound but also confuse, and even reconfigure, cultural identities? What role do histories of conflicts play in the construction of national identities? Post-Conflict Cultures: Rituals of Representation will be of direct interest to scholars and practitioners working in media and communications, international relations and international law, peace studies, human rights, cultural studies and cultural memory, psychoanalysis and gender studies, and comparative literature and literary theory.