Portraits Of Automated Facial Recognition
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Portraits of Automated Facial Recognition
Author: Lila Lee-Morrison
language: en
Publisher: transcript Verlag
Release Date: 2019-11-26
Automated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called »eigenface« and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world.
Exploring Contemporary Classification Practices
The contributions in Exploring Contemporary Classification Practices analyse various aspects of classification and their importance to contemporary debates surrounding cultural heritage and information access. Specific focus is on systems of classification, media technologies, and cultural institutions (such as libraries, archives, and museums) and how they respond to challenges, including classificatory bias, truth, neutrality, institutional tradition, and technological innovation. Raising awareness of classification practices in modern culture serves to emphasize how sorting things into categories is both an everyday accomplishment and a highly cultural and political activity with consequences for those who are classified and for those who classify. Throughout this book, ‘classification’ is defined as the practice and activity of systematically ordering and categorizing entities to bring structure and understanding to diverse contexts. This book addresses several timely issues both in terms of theoretical advancement and empirical diversity. The scholarly discussion on the classification and organization of knowledge has developed with digital technologies from a bibliographic paradigm into something much wider, as the need for metadata and classification has become critical for usability and legitimacy. This development has also led research on classification and knowledge organization to confront a new, post-humanist reality with not only emerging varieties of information currents in society, but also the development of new theoretical and methodological strands, such as post-colonial and intersectional perspectives, and digital humanities methodologies. In doing so, this book seeks to address critical questions for the archives, library, and museum sectors concerning the organization of information. Exploring Contemporary Classification Practices will, therefore be of interest to academics, researchers, and practitioners with interests in library and information science, archives, cultural heritage, and digital heritage.
Twins and Recursion in Digital, Literary and Visual Cultures
The tale of twins being reunited after a long separation is a trope that has been endlessly repeated and reworked across different cultures and throughout history, with each moment adapting the twin plot to address its current cultural tensions. In this study, Edward King demonstrates how twins are a means of exploring the social implications of hyper-connectivity and the compromising relationship between humans and digital information, their environment and their genetics. As King demonstrates, twins tell us about the changing forms of connectivity and power in contemporary culture and what new conceptions of the human they present us with. Taking account of a broad range of literary, cultural and scientific practices, Entwined Being probes discussions surrounding twins such as: - The way in which they appear in behavioral genetics as a way of identifying inherited predispositions to social media - How their faces interrupt biometric interfaces such as facial recognition software and undermine advances in neo-liberal surveillance systems - How they represent the uncanny and the weird in the horror genre and how this questions ideologies of communications media and the connectivity it enables - Their association with telepathy and cybernetics in science fiction - Their construction as models for entangled being in ecological thought Drawing upon the literary and filmic works of Ken Follet, Edgar Allan Poe, H. P. Lovecraft, Bruce Chatwin, Shelley Jackson, Brian de Palma, Peter Greenway and David Cronenberg, as well as science fiction literature and the television series Orphan Black, King illuminates how twins are employed across a range of disciplines to envision a critical re-conception of the human in times of digital integration and ecological crisis.