Poetry Philosophy And Theology In Conversation


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Poetry, Philosophy and Theology in Conversation


Poetry, Philosophy and Theology in Conversation

Author: Francesca Bugliani Knox

language: en

Publisher: Routledge

Release Date: 2019-08-05


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This volume is a collection of essays that explains how literature, philosophy and theology have explored the role of wonder in our lives, particularly through poetry. Wonder has been an object of fascination for these disciplines from the Greek antiquity onwards, yet the connections between their views on the subject are often ignored in subject specific studies. The book is divided into three parts: Part I opens the conversation on wonder in philosophy, Part II is given to theology and Part III to literary perspectives. An international set of contributors, including poets as well as scholars, have produced a study that looks beyond traditional chronological, geographical and disciplinary boundaries, both within the individual essays themselves and in respect to one another. The volume’s wide historical framework is punctuated by four poems by contemporary poets on the theme of wonder. An unconventional foray into one of the best-known themes of the European tradition, this book will be of great interest to scholars of literature, theology and philosophy.

Theological and Philosophical Explorations of the Call of Literature


Theological and Philosophical Explorations of the Call of Literature

Author: David Lonsdale

language: en

Publisher: Taylor & Francis

Release Date: 2025-05-23


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This book explores the ‘call’ of literature, for both writers and their audiences, and reflects on how literary works have informed and drawn from – and continue to inform and draw from – theology, philosophy and sacred scripture. Key questions addressed include the following: How do creative writers and critics conceive this call? What does it mean to speak of a ‘vocation’ to write and what have theologians and philosophers got to say on the matter? Is the spirit of literature always or necessarily an ‘angel of light’? Or is the call of literature a siren song? The essays by an international and interdisciplinary range of contributors discuss the work and testimony of writers from William Blake, Gerard Manley Hopkins and R.S. Thomas to James Joyce, Virginia Woolf and Michel Houellebecq. Also examined are the ideas and influence of figures such as John Henry Newman, who wrote that the importance of literature stems from our very nature and God-given powers as human beings, especially language. This latest volume from The Power of the Word Project will be of interest to scholars from theology, philosophy and literature.

The End of the Poem


The End of the Poem

Author: Giorgio Agamben

language: en

Publisher: Stanford University Press

Release Date: 1999


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This book, by one of Italy's most important and original contemporary philosophers, represents a broad, general, and ambitious undertaking--nothing less than an attempt to rethink the nature of poetic language and to rearticulate relationships among theology, poetry, and philosophy in a tradition of literature initiated by Dante. The author presents "literature" as a set of formal or linguistic genres that discuss or develop theological issues at a certain distance from the discourse of theology. This distance begins to appear in Virgil and Ovid, but it becomes decisive in Dante and in his decision to write in the vernacular. His vernacular Italian reaches back through classical allusion to the Latin that was in his day the language of theology, but it does so with a difference. It is no accident that in the Commedia Virgil is Dante's guide. The book opens with a discussion of just how Dante's poem is a "comedy," and it concludes with a discussion of the "ends of poetry" in a variety of senses: enjambment at the ends of lines, the concluding lines of poems, and the end of poetry as a mode of writing this sort of literature. Of course, to have poetry "end" does not mean that people stop writing it, but that literature passes into a period in which it is concerned with its own ending, with its own bounds and limits, historical and otherwise. Though most of the essays make specific reference to various authors of the Italian literary tradition (including Dante, Polifilo, Pascoli, Delfini, and Caproni), they transcend the confines of Italian literature and engage several other literary and philosophical authors (Plato, Aristotle, the Stoics, Boethius, the Provençal poets, Mallarmé, and Hölderlin, among others).