Poetry And The Religious Imagination


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Faith, Hope and Poetry


Faith, Hope and Poetry

Author: Malcolm Guite

language: en

Publisher: Ashgate Publishing, Ltd.

Release Date: 2012


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Faith, Hope and Poetry explores the poetic imagination as a way of knowing; a way of seeing reality more clearly. Presenting a series of critical appreciations of English poetry from Anglo-Saxon times to the present day, Malcolm Guite applies the insights of poetry to contemporary issues and the contribution poetry can make to our religious knowing and the way we 'do Theology'. Readers of this book will return to their reading of poetry equipped with new insights and enthusiasm and will be challenged to integrate imaginative ways of knowing into their other academic and intellectual pursuits.

Poetry and the Religious Imagination


Poetry and the Religious Imagination

Author: Dr Francesca Bugliani Knox

language: en

Publisher: Ashgate Publishing, Ltd.

Release Date: 2015-01-28


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What is the role of spiritual experience in poetry? How do poetic imagination and religious beliefs interact? Exploring such questions through the concept of the religious imagination, this book integrates interdisciplinary research in the area of poetry on the one hand, and theology, philosophy and Christian spirituality on the other. Established theologians, philosophers, literary critics and creative writers explain the primary role of imagination in the writing and reading of poetry.

Emily Dickinson and the Religious Imagination


Emily Dickinson and the Religious Imagination

Author: Linda Freedman

language: en

Publisher: Cambridge University Press

Release Date: 2011-09-01


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Dickinson knew the Bible well. She was profoundly aware of Christian theology and she was writing at a time when comparative religion was extremely popular. This book is the first to consider Dickinson's religious imagery outside the dynamic of her personal faith and doubt. It argues that religious myths and symbols, from the sun-god to the open tomb, are essential to understanding the similetic movement of Dickinson's poetry - the reach for a comparable, though not identical, experience in the struggles and wrongs of Abraham, Jacob and Moses, and the life, death and resurrection of Christ. Linda Freedman situates the poet within the context of American typology, interprets her alongside contemporary and modern theology and makes important connections to Shakespeare and the British Romantics. Dickinson emerges as a deeply troubled thinker who needs to be understood within both religious and Romantic traditions.