Playing With Dead Things 2022
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Live Stock and Dead Things
Author: Hannah Chazin
language: en
Publisher: University of Chicago Press
Release Date: 2024-12-20
Reconceptualizes human-animal relationships and their political significance in ancient and modern societies. In Live Stock and Dead Things, Hannah Chazin combines zooarchaeology and anthropology to challenge familiar narratives about the role of nonhuman animals in the rise of modern societies. Conventional views of this process tend to see a mostly linear development from hunter-gatherer societies, to horticultural and pastoral ones, to large-scale agricultural ones, and then industrial ones. Along the way, traditional accounts argue that owning livestock as property, along with land and other valuable commodities, introduced social inequality and stratification. Against this, Chazin raises a provocative question: What if domestication wasn’t the origin of instrumentalizing nonhuman animals after all? Chazin argues that these conventional narratives are inherited from conjectural histories and ignore the archaeological data. In her view, the category of “domestication” flattens the more complex dimensions of humans’ relationship to herd animals. In the book’s first half, Chazin offers a new understanding of the political possibilities of pastoralism, one that recognizes the powerful role herd animals have played in shaping human notions of power and authority. In the second half, she takes readers into her archaeological fieldwork in the South Caucasus, which sheds further light on herd animals’ transformative effect on the economy, social life, and ritual. Appealing to anthropologists and archaeologists alike, this daring book offers a reconceptualization of human-animal relationships and their political significance.
Queer Reflections on AI
Author: Michael Klipphahn-Karge
language: en
Publisher: Taylor & Francis
Release Date: 2023-07-17
This volume offers a socio-technical exploration of Artificial Intelligence (AI) and the way it reflects and reproduces certain normative representations of gender and sexuality, to ultimately guide more diverse and radical discussions of life with digital technologies. Moving beyond the examination of empirical examples and technical solutions, the book approaches the relationship between queerness and AI from a theoretical perspective that posits queer theory as central to understanding AI differently. The chapters pose questions about the politics and ethics of machine embodiments and data imaginaries on the one hand, and about technical possibilities for a production of social identities characterised by shifting diversity and multiplicity on the other, as they are mediated by and through digital technologies. Transgressing disciplinary boundaries to engage a diversity of conceptual tools, critical approaches, and theoretical traditions, this book will be an important resource for students and researchers of gender and sexuality, new media and digital cultures, cultural theory, art and visual culture, and AI. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 license.
The Contemporary History Play
Author: Benjamin Poore
language: en
Publisher: Bloomsbury Publishing
Release Date: 2024-05-30
Something exciting is happening with the contemporary history play. New writing by playwrights such as Jackie Sibblies Drury, Samuel Adamson, Hannah Khalil, Cordelia Lynn, and Lucy Kirkwood, makes powerful theatrical use of the past, but does not fit into critics' familiar categories of historical drama. In this book, Benjamin Poore provides readers with tools to name and critically analyse these changes. The Contemporary History Play contends that many history plays are becoming more complex and layered in their aesthetic approaches, as playwrights work through the experience of being surrounded by numerous and varied forms of historical representation in the twenty-first century. For theatre scholars, this book offers a means of interpreting how new writing relies on the past and notions of historicity to generate meaning and resonance in the present. For playwrights and students of playwriting, the book is a guide to the history play's recent past, and to the state of the art: what techniques and formulas have been popular, the tropes that are widely used, and how artists have found ways of renewing or overturning established conventions.