Playing Violin And Fiddle Left Handed
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Playing Violin and Fiddle Left Handed
Author: Ryan J. Thomson
language: en
Publisher: Captain Fiddle Publications
Release Date: 2003-04
An compendium of lefthanded fiddling and violin lore, by Ryan J Thomson:This book documents the experiences of over 100 people who play lefty violin, including top professional folk fiddlers, chamber music players, and concert violinists. There's a chapter on where to find a left handed violin or get a right handed fiddle converted to left, including a list of violin makers who are happy to oblige lefty players.Included is a critical analysis of why - It's better to bow with your dominant hand, whether you are a right or left handed person! The myth of the "left hander's advantage in playing right handed" is debunked with numerous logical and common sense arguments!This approach can be applied to viola, cello, and other string players as well. Violists, cellists, and other stringed instrument players can take best advantage of their body's natural inclination, strength, and coordination
Rugs, Guitars, and Fiddling
Author: Chris Goertzen
language: en
Publisher: Univ. Press of Mississippi
Release Date: 2022-10-21
What do exotic area rugs, handcrafted steel-string guitars, and fiddling have in common today? Many contemporary tradition bearers embrace complexity in form and content. They construct objects and performances that draw on the past and evoke nostalgia effectively but also reward close attention. In Rugs, Guitars, and Fiddling: Intensification and the Rich Modern Lives of Traditional Arts, author Chris Goertzen argues that this entails three types of change that can be grouped under an umbrella term: intensification. First, traditional creativity can be intensified through virtuosity, through doing hard things extra fluently. Second, performances can be intensified through addition, by packing increased amounts of traditional materials into the conventionally sized packages. Third, in intensification through selection, artistic impact can grow even if amount of information recedes by emphasizing compelling ideas—e.g., crafting a red and black viper poised to strike rather than a pretty duck decoy featuring more colors and contours. Rugs handwoven in southern Mexico, luthier-made guitars, and southern US fiddle styles experience parallel changes, all absorbing just enough of the complex flavors, dynamics, and rhythms of modern life to translate inherited folklore into traditions that can be widely celebrated today. New mosaics of details and skeins of nuances don’t transform craft into esoteric fine art, but rather enlist the twists and turns and endless variety of the contemporary world therapeutically, helping transform our daily chaos into parades of negotiable jigsaw puzzles. Intensification helps make crafts and traditional performances more accessible and understandable and thus more effective, bringing past and present closer together, helping folk arts continue to perform their magic today.
The Cambridge Companion to the Violin
Author: Robin Stowell
language: en
Publisher: Cambridge University Press
Release Date: 1992-12-10
Enth. S.1 - 29: The violin and bow - origins and development / John Dilworth