Pirate Penance
Download Pirate Penance PDF/ePub or read online books in Mobi eBooks. Click Download or Read Online button to get Pirate Penance book now. This website allows unlimited access to, at the time of writing, more than 1.5 million titles, including hundreds of thousands of titles in various foreign languages.
Penitence in the Age of Reformations
Author: Katharine Jackson Lualdi
language: en
Publisher: Routledge
Release Date: 2017-07-28
This volume is comprised of thirteen essays that explore penitential teachings and practices from the late fifteenth to the early seventeenth centuries in Western Europe and its colonies. Together the essays reveal that in this period, penitence was an increasingly important force shaping the individual and society. Consequently, the authors argue, penitence is central to our understanding of early modern Christianity as it was taught and experienced in everyday life. From Germany to France and to the Americas, Catholics turned to traditional forms of penitence not only to save individual souls, but also to assert their confessional identity. For their part, Protestants established distinctive penitential approaches and institutions in accordance with their own understandings of sin and salvation. In thus examining the treatment of post-baptismal sin across chronological and confessional boundaries, the volume breaks new ground in the history of penance. The volume concludes with a postscript assessing the ways in which the essays enrich the current state of scholarship on penitence and encourage further research. Katharine Jackson Lualdi is an independent scholar. Anne T. Thayer is Assistant Professor of Church History at Lancaster Theological Seminary, Lancaster, Pennsylvania.
Pirate Booty
You think you got problems? Try being a rock star, mate. It’s 1984, and lead singer Jack St James is on cloud nine. He’s met the woman of his dreams and his rock band, Pirate, is on track to finish its sold-out American tour in four days. If only he hadn’t done some foolhardy things—things that threaten to derail the end of the tour and wreck his plans to retire to the English countryside. Namely, leaping from one hotel balcony to another eight stories above the ground, attracting the attention of the mainstream news media, and having his true identity revealed to the world. Now his all-powerful father knows exactly where he is and will move heaven and earth to punish him for calling himself “Jack.” How dare he use the name of his brother, his father’s heir and favored son who died a senseless and terrible death? And how dare he shame his father by becoming a rock star, instead of assuming his rightful place in English society? As Jack and band manager Dunk batten down the hatches, little do they know that they face not one but three rich and powerful men colluding to derail the final concerts in the tour: Jack’s evil father, their coked-up A&R executive, and a smarmy swami intent on kidnapping Jack’s new woman. Jack is finally facing the enemy of a lifetime, one he cannot predict or control, and the dream life he’s worked so hard to attain hangs in the balance. Content advisory: In keeping with the era and setting, this book contains adult themes and language and potentially upsetting content. This is book 2 in the Pirate (the Rock Band) series.
The Songs of Joni Mitchell
An unorthodox musician from the start, singer-songwriter Joni Mitchell's style of composing, performing, and of playing (and tuning) the guitar is unique. In the framework of sexual difference and the gendered discourses of rock this immediately begs the questions: are Mitchell's songs specifically feminine and, if so, to what extent and why? Anne Karppinen addresses this question focusing on the kind of music and lyrics Mitchell writes, the representation of men and women in her lyrics, how her style changes and evolves over time, and how cultural context affects her writing. Linked to this are the concepts of subjectivity and authorship: when a singer-songwriter sings a song in the first person, about whom are they actually singing? Mitchell offers a fascinating study, for the songs she writes and sings are intricately woven from the strands of her own life. Using methods from critical discourse analysis, this book examines recorded performances of songs from Mitchell's first nine studio albums, and the contemporary reviews of these albums in Anglo-American rock magazines. In one of the only books to discuss Mitchell's recorded performances, with a focus that extends beyond the seminal album Blue, Karppinen explores the craft of Mitchell's songwriting and her own attitudes towards it, as well as the dynamics and politics of rock criticism in the 1960s and 1970s more generally.